2015-11-13 18:14:45 +00:00
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#LyX 2.2 created this file. For more info see http://www.lyx.org/
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\lyxformat 501
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2013-10-07 22:30:04 +00:00
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\begin_document
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\begin_header
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2015-11-13 18:14:45 +00:00
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\origin /systemlyxdir/examples/ja/
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\begin_modules
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lilypond
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\end_modules
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\use_hyperref true
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\pdf_title "LilyPond-book and LyX"
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\pdf_author "The LyX Team"
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\shortcut idx
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\end_header
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\begin_body
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\begin_layout Title
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LilyPond-bookと\SpecialCharNoPassThru LyX
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\end_layout
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\begin_layout Author
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\SpecialCharNoPassThru LyX
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プロジェクトチーム
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\end_layout
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\begin_layout Date
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第2.1.x版
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\end_layout
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\begin_layout Abstract
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この文書は、\SpecialCharNoPassThru LyX
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文書への楽譜片の取り込み方の説明と例示を行います。記譜法としては、LilyPond文法を用い、処理にはLilyPond-bookユーティリティ
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を使用します。
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\end_layout
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\begin_layout Section
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はじめに
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\end_layout
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\begin_layout Standard
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LilyPondは、コンピュータで生成した美しい音楽スコアを生成することを可能にするオープンソースプロジェクトです。このプロジェクトには、テキストベースの記譜言
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語と、この記譜法を音楽スコアに変換するプログラムが含まれています。
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\end_layout
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\begin_layout Standard
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LilyPond自身も、タイトルや作者情報、脚注、巻末注などの表示をサポートしていますが、主な目的はあくまで楽譜の組版です。文章の組版には、一般的に云って、他の
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プログラムの方が向いています。LilyPond-bookは、LilyPond記譜法を使った音楽スコアを、なかんずく\SpecialCharNoPassThru LaTeX
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文書に組み込むことを補助するための、
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LilyPondプロジェクトが提供するユーティリティです。
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\end_layout
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\begin_layout Standard
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この文書は、\SpecialCharNoPassThru LaTeX
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ベースのレイアウトを用いた\SpecialCharNoPassThru LyX
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文書中で、LilyPond記譜法を用いることで、\SpecialCharNoPassThru LaTeX
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とLilyPondの両方を結びつけて実現される、
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美しく高品質な組版を得る方法を説明します。記譜のために、LiliPond文法の基本を理解していることが必要ですが、\SpecialCharNoPassThru LyX
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を使用している限りは\SpecialCharNoPassThru LaTeX
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の知識は必
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要ありません。
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\end_layout
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\begin_layout Standard
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第
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\begin_inset CommandInset ref
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LatexCommand ref
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reference "sec:LilyPondコードを使用"
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\end_inset
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節は、必要要件と使用法、\SpecialCharNoPassThru LyX
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中でLiliPond記譜法を用いることの短所を説明します。第
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\begin_inset CommandInset ref
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LatexCommand ref
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reference "sec:LilyPond-examples"
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\end_inset
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節は、いくつかの例を用いて、その組版の美しさと品質をお見せします。
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\end_layout
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\begin_layout Section
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\SpecialCharNoPassThru LyX
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中でLilyPondコードを使用する
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\begin_inset CommandInset label
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LatexCommand label
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name "sec:LilyPondコードを使用"
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\end_inset
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\end_layout
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\begin_layout Standard
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使用中の文書に、LilyPondモジュールを追加すると、\SpecialCharNoPassThru LyX
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でのLilyPond記譜法(LilyPondコード)のサポートが有効になります。これは、
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\family sans
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文書\SpecialChar menuseparator
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設定
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\family default
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メニューを開いて、モジュール一覧からLilyPondを選択することで、実現できます。\SpecialCharNoPassThru LaTeX
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ベースの\SpecialCharNoPassThru LyX
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レイアウトはどれでも使うことができ、通常のプレビュー
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や書き出し機構も使用できます。\SpecialCharNoPassThru LyX
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は、\SpecialCharNoPassThru LaTeX
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/LilyPond混在コードを、LilyPond-bookを用いて処理してくれます。LilyPond-book
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は、DocBookやHTML文書も扱うことができますが、これらの文書型をLilyPond-bookと\SpecialCharNoPassThru LyX
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に統合することは、今のところ実現していません。
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\end_layout
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\begin_layout Subsection
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必要要件
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\end_layout
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\begin_layout Standard
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LilyPond-book第2.13版以降。
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\begin_inset Foot
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status collapsed
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\begin_layout Plain Layout
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LilyPond-bookは、第2.1版以降で、\SpecialCharNoPassThru LaTeX
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出力をサポートしていますが、PDF\SpecialCharNoPassThru LaTeX
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サポート(第2.9版以降)や、
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\family typewriter
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\twohyphens
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lily-output-dir
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\family default
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フラグ(第2.11版以降)、なかんずく
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\family typewriter
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\twohyphens
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safe
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\family default
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フラグ(第2.13版以降)など、\SpecialCharNoPassThru LyX
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が使用する機能の一部は、それよりも最近の版でしか利用することができません。
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Subsection
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統合
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\end_layout
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\begin_layout Standard
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本モジュールは、LilyPond差込枠を提供しており、
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\family sans
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挿入\SpecialChar menuseparator
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任意設定差込枠
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\family default
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メニューで挿入することができます。この差込枠は、LilyPondコードを入力するためのもので、このコードが楽譜に組まれることになります。まずは、簡単な音階から始
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めてみましょう。
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\end_layout
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\begin_layout Standard
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\begin_inset Flex LilyPond
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status open
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\begin_layout Plain Layout
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\begin_inset Argument 1
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status open
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\begin_layout Plain Layout
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staffsize=28
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Plain Layout
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\backslash
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relative c'' {
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\end_layout
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\begin_layout Plain Layout
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g a b c
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\end_layout
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\begin_layout Plain Layout
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}
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Standard
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\noindent
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上記の\SpecialCharNoPassThru LyX
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差込枠は、以下のような\SpecialCharNoPassThru LaTeX
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様のコードを生成します。
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\end_layout
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\begin_layout LyX-Code
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\backslash
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begin{lilypond}[staffsize=28]
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\end_layout
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\begin_layout LyX-Code
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\end_layout
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\begin_layout LyX-Code
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\backslash
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relative c'' {
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\end_layout
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\begin_layout LyX-Code
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g a b c
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\end_layout
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\begin_layout LyX-Code
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}
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\end_layout
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\begin_layout LyX-Code
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\backslash
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end{lilypond}
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\end_layout
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\begin_layout Standard
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最初の角括弧の中に書かれているのは、LilyPond-bookに渡すオプションです。これは、\SpecialCharNoPassThru LyX
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中では、LilyPond差込枠を挿入したときと同じように、
|
2013-10-07 22:30:04 +00:00
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\family sans
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挿入
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\family default
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メニューから挿入されたものです。ここでは、譜表(staff)の大きさを28
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|
\begin_inset space \thinspace{}
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\end_inset
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pt(ポイント)にしています。例えば、
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\family typewriter
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[staffsize=28,verbatim]
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\family default
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|
のように、コンマで区切れば、他のオプションを追加することができます。譜表オプションの一覧は、LilyPond説明書の中にあります。既定の設定が欲しい場合には、角
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括弧ブロック全体を省略することができます。
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\end_layout
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\begin_layout Standard
|
2015-11-13 18:14:45 +00:00
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オプションブロックの後に来るのは、LilyPond文法で書かれた楽譜片の文字表記です。このコードは、実は\SpecialCharNoPassThru LaTeX
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|
が処理するのではなく、LilyPond-boo
|
2013-10-07 22:30:04 +00:00
|
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kが前処理を行います。LilyPond-bookは、グラフィックファイルを生成し、このコード部分を置き換えた
|
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\family typewriter
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\backslash
|
2015-11-13 18:14:45 +00:00
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includegraphics{\SpecialChar ldots
|
2013-10-07 22:30:04 +00:00
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}
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\family default
|
2015-11-13 18:14:45 +00:00
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コマンドが、このファイルを\SpecialCharNoPassThru LaTeX
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文書に取り込みます。
|
2013-10-07 22:30:04 +00:00
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\end_layout
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\begin_layout Standard
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したがって、変換過程は、
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\family sans
|
2015-11-13 18:14:45 +00:00
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|
\SpecialCharNoPassThru LyX
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\SpecialChar menuseparator
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LilyPond-book\SpecialChar menuseparator
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\SpecialCharNoPassThru LaTeX
|
2013-10-07 22:30:04 +00:00
|
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\family default
|
2015-11-13 18:14:45 +00:00
|
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|
のようになります。\SpecialCharNoPassThru LyX
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|
|
は.lytexファイルを生成し、次にLilyPond-bookが.texファイルと付随する画像ファイルを生成し、最後に\SpecialCharNoPassThru LaTeX
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が最終文書を
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生成します。ツール連鎖の各段階では、あなたが選択した配置方法に従います。つまり、楽譜片を行内に配置するか、独立した段落にするか、中央揃えか左揃えか等々、\SpecialCharNoPassThru LyX
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|
ウ
|
2013-10-07 22:30:04 +00:00
|
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|
|
ィンドウ内での表示のされ方は、出力書式でも尊重されます。行内での使用の例としては、
|
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|
\begin_inset Flex LilyPond
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status open
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\begin_layout Plain Layout
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|
\begin_inset Argument 1
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status open
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|
\begin_layout Plain Layout
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|
staffsize=12
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\end_layout
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\end_inset
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\backslash
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markup {
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\backslash
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concat {B
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\backslash
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super
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\backslash
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flat } }
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\end_layout
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\end_inset
|
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のようにコード名を表示したい場合や、非常に短い楽譜片を表示したい時などが挙げられます。
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|
\end_layout
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|
\begin_layout Subsection
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プレビュー
|
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\end_layout
|
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\begin_layout Standard
|
2015-11-13 18:14:45 +00:00
|
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|
|
記譜がどのように見えるかについては、\SpecialCharNoPassThru LyX
|
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|
|
|
内で直接フィードバックを得ることができます。そのためには、LilyPond差込枠を、
|
2013-10-07 22:30:04 +00:00
|
|
|
|
\family sans
|
2015-11-13 18:14:45 +00:00
|
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|
挿入\SpecialChar menuseparator
|
2013-10-07 22:30:04 +00:00
|
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|
|
プレビュー
|
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|
\family default
|
2015-11-13 18:14:45 +00:00
|
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|
|
メニューを使って得られるプレビュー差込枠の中に入れなくてはなりません。これは、以下のように、\SpecialCharNoPassThru LyX
|
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|
|
内での表示に影響するだけで出力には関係しません。
|
2013-10-07 22:30:04 +00:00
|
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|
\end_layout
|
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|
\begin_layout Standard
|
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|
\begin_inset Preview
|
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|
\begin_layout Standard
|
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|
\begin_inset Flex LilyPond
|
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|
status collapsed
|
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|
\begin_layout Plain Layout
|
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|
\backslash
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|
relative c'' {
|
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|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
ais a g ges
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|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
}
|
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|
\end_layout
|
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|
\end_inset
|
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|
\end_layout
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\end_inset
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|
\end_layout
|
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|
\begin_layout Standard
|
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|
|
残念ながら、プレビューがそれほど即座に表示されないことに気づかれるかもしれません。コンパイルを開始するには、カーソルをプレビュー差込枠の外にカーソルを出す必要が
|
|
|
|
|
あり、さらに、処理には数秒の時間がかかり得ます。しかしながら、編集中に、直接フィードバックを得ることには相応の価値があり、文書内の移動を非常に楽にします。
|
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|
|
\end_layout
|
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|
|
|
|
|
|
|
\begin_layout Subsection
|
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|
|
Gotchas
|
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|
|
\end_layout
|
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|
|
|
|
|
|
|
\begin_layout Standard
|
2015-11-13 18:14:45 +00:00
|
|
|
|
ここでは、LilyPond-bookと\SpecialCharNoPassThru LyX
|
|
|
|
|
を統合する上で経験された認識のいくつかを紹介します。
|
2013-10-07 22:30:04 +00:00
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Subsubsection
|
|
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|
|
子文書
|
|
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|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
2015-11-13 18:14:45 +00:00
|
|
|
|
LilyPondモジュールを用いた\SpecialCharNoPassThru LyX
|
|
|
|
|
文書は、「Input」法を用いた子文書を持つことができません。
|
2013-10-07 22:30:04 +00:00
|
|
|
|
\family sans
|
2015-11-13 18:14:45 +00:00
|
|
|
|
挿入\SpecialChar menuseparator
|
|
|
|
|
ファイル\SpecialChar menuseparator
|
2013-10-07 22:30:04 +00:00
|
|
|
|
子文書
|
|
|
|
|
\family default
|
|
|
|
|
において、「取り込みの型」として「Input」を選択すると、出力を生成する際にエラーが発生します。これは、LilyPond-bookが、これらのインプットファイ
|
|
|
|
|
ルを、自動で再帰的に処理してしまうせいです。現在のところ、LilyPond-bookには、この挙動を停止するコマンドラインオプションは存在しないので、代わりに「
|
|
|
|
|
Include」法を使用することを推奨致します。
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
なお、LilyPondモジュールを使用していない親文書に、LilyPondモジュールを使用した子文書を挿入することは、「Input」法でも「Include」法で
|
|
|
|
|
も可能です。これを動作させるには、
|
|
|
|
|
\family sans
|
2015-11-13 18:14:45 +00:00
|
|
|
|
文書\SpecialChar menuseparator
|
2013-10-07 22:30:04 +00:00
|
|
|
|
設定
|
|
|
|
|
\family default
|
|
|
|
|
下で親文書のプリアンブルに
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
usepackage{graphicx}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
という行を追加する必要があります。
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Subsubsection
|
|
|
|
|
囲み波括弧
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
LilyPond-bookは、コードが楽譜片に過ぎないかどうかを確かめるために、LilyPond-book
|
|
|
|
|
\family typewriter
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
score
|
|
|
|
|
\family default
|
|
|
|
|
コマンドあるいは
|
|
|
|
|
\family typewriter
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
relative
|
|
|
|
|
\family default
|
|
|
|
|
コマンドを検索します。LilyPondコマンドを全く入れないことも可能ですが、その場合には{囲み波括弧}が必要です。したがって、下記のコード
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
begin{lilypond}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
ais' f'' g' e'' % no
|
|
|
|
|
\backslash
|
|
|
|
|
score given
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
end{lilypond}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
では、LilyPond-bookは、以下のように混乱してしまいます。
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
error: syntax error, unexpected NOTENAME_PITCH
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
ais' f'' g' e'' % no
|
|
|
|
|
\backslash
|
|
|
|
|
score given
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
囲み波括弧を用いれば、下記のようにうまく行きます。
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
\begin_inset Preview
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
\begin_inset Flex LilyPond
|
|
|
|
|
status collapsed
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
{ais' f'' g' e''} % no
|
|
|
|
|
\backslash
|
|
|
|
|
score given
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\end_inset
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\end_inset
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
LilyPondコマンドを使用せずに、波括弧内に直接音符を書くと、短い楽譜片を書く場合に便利です。熟練ユーザーは、おそらく、楽曲をLilyPond変数やコマンド
|
|
|
|
|
を使用して入力したいものと思われますが、もちろんその方法もサポートされています。
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Subsubsection
|
|
|
|
|
タブ譜
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
もう一つのgotchaは、下記のように
|
|
|
|
|
\family typewriter
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
fret-diagram
|
|
|
|
|
\family default
|
|
|
|
|
マークアップコマンドを用いた、連続したLilyPond楽譜片についてです。
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
begin{lilypond}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
markup{
|
|
|
|
|
\backslash
|
|
|
|
|
fret-diagram-terse #"x;3;2;o;1;o;" }
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
end{lilypond}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
begin{lilypond}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
markup{
|
|
|
|
|
\backslash
|
|
|
|
|
fret-diagram-terse #"x;x;o;2;3;2;" }
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout LyX-Code
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
end{lilypond}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
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何らかの理由で、LilyPond-book第2.13版は、これを安全モードで走らせると(意図を理解していない限り、つねにこうするべきです)、文句を云います。これは
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第2.15版の時点では修正されています(LilyPond issue #1900にファイルされています)。
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\end_layout
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\begin_layout Subsubsection
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\family typewriter
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\backslash
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lilypondfile
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\family default
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コマンド
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\end_layout
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\begin_layout Standard
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LilyPond-bookは、
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\family typewriter
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\backslash
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lilypondfile
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\family default
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コマンドによって、外部ファイルに存在するLilyPondコードを取込むことをサポートしています。このコマンドによって、LilyPondコードは、文書内で打ち込ま
|
2015-11-13 18:14:45 +00:00
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れたかのように処理され、出力スコアは、行幅・改頁等、\SpecialCharNoPassThru LaTeX
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が定める組版に従います。これは、\SpecialCharNoPassThru LyX
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に長らく存在する、LilyPondスコアを外部素材として取り
|
2013-10-07 22:30:04 +00:00
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込む機能とは対照的です。そこでは、外部ファイルを処理するのにLilyPondを呼び出し、固定した画像を生成した上で、文書中にこの画像を取り込んでいたので、組版の
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2015-11-13 18:14:45 +00:00
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決定はLilyPondに委ねられていました。残念ながら、\SpecialCharNoPassThru LyX
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での
|
2013-10-07 22:30:04 +00:00
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\family typewriter
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\backslash
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lilypondfile
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\family default
|
2015-11-13 18:14:45 +00:00
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コマンドのサポートは、まだ実装されていませんが、望むファイルへの完全な絶対パスを与えるということさえ守れば、\SpecialCharNoPassThru TeX
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コードブロック中でこれを使用することは可能です
|
2013-10-07 22:30:04 +00:00
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。
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\end_layout
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\begin_layout Section
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LilyPondの用例
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\begin_inset CommandInset label
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LatexCommand label
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name "sec:LilyPond-examples"
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\end_inset
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\end_layout
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\begin_layout Standard
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例
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\begin_inset CommandInset ref
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LatexCommand ref
|
2015-11-13 18:14:45 +00:00
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reference "subsec:Editorial-headword"
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2013-10-07 22:30:04 +00:00
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\end_inset
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は、LilyPond要素を多用した複雑なスコアです。安全モードで実行できるように、この楽譜片のオリジナルソースからは、スキームコードの一部が取り除かれています。
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また、例
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\begin_inset CommandInset ref
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LatexCommand ref
|
2015-11-13 18:14:45 +00:00
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reference "subsec:タブ譜のひな型"
|
2013-10-07 22:30:04 +00:00
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\end_inset
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は、ギター奏者に魅力的なLilyPondの出力を示しています。
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\end_layout
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\begin_layout Subsection
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編集見出し
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\begin_inset CommandInset label
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LatexCommand label
|
2015-11-13 18:14:45 +00:00
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name "subsec:Editorial-headword"
|
2013-10-07 22:30:04 +00:00
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\end_inset
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\end_layout
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\begin_layout Standard
|
2015-11-13 18:14:45 +00:00
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NR 1.7 編註 ベートーヴェン作品31-3 ピアノソナタ第18番 第2楽章 スケルツォ 第9\twohyphens
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14小節
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\begin_inset Separator parbreak
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\end_inset
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|
2013-10-07 22:30:04 +00:00
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\end_layout
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\begin_layout Standard
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\noindent
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\align center
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\begin_inset Preview
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\begin_layout Standard
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\begin_inset Flex LilyPond
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status collapsed
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\begin_layout Plain Layout
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\backslash
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new PianoStaff <<
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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% RH Staff
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\end_layout
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\begin_layout Plain Layout
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\backslash
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new Staff {
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\end_layout
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\begin_layout Plain Layout
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\backslash
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clef treble
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\end_layout
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\begin_layout Plain Layout
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\backslash
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key aes
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\backslash
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major
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\end_layout
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\begin_layout Plain Layout
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\backslash
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time 2/4
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\end_layout
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\begin_layout Plain Layout
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%
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\backslash
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set Staff.fingeringOrientations = #'(up)
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\end_layout
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\begin_layout Plain Layout
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%
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\backslash
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set Score.currentBarNumber = #9
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\end_layout
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\begin_layout Plain Layout
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\backslash
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partial 8
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\end_layout
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\begin_layout Plain Layout
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<aes''-4 c''>8
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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%
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\backslash
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set doubleSlurs = ##t
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\end_layout
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\begin_layout Plain Layout
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<bes''-5 des''-2>4(
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\end_layout
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\begin_layout Plain Layout
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<aes''-4 c''>8
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\backslash
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staccato)
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\end_layout
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\begin_layout Plain Layout
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\backslash
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noBeam
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\end_layout
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\begin_layout Plain Layout
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c''8-5
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\backslash
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staccato
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\backslash
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pp
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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\backslash
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unset doubleSlurs
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\end_layout
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\begin_layout Plain Layout
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bes'8..(
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\end_layout
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\begin_layout Plain Layout
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aes'32
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\end_layout
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\begin_layout Plain Layout
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g'8)
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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f'8
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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e'4-2
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\end_layout
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\begin_layout Plain Layout
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r8
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\end_layout
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\begin_layout Plain Layout
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%
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\backslash
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once
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\backslash
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override Script #'script-priority = #-100
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\end_layout
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\begin_layout Plain Layout
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\backslash
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afterGrace
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\end_layout
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\begin_layout Plain Layout
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f'8(
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\backslash
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trill^
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\backslash
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markup {
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\backslash
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finger "3-2" }
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\end_layout
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\begin_layout Plain Layout
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{ e'16[ f'16] }
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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g'8..-3
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\end_layout
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\begin_layout Plain Layout
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f'32
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\end_layout
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\begin_layout Plain Layout
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e'8-1)
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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d'8-2
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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c'4
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\end_layout
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\begin_layout Plain Layout
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r4
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\end_layout
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\begin_layout Plain Layout
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}
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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% LH Staff
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\end_layout
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\begin_layout Plain Layout
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\backslash
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new Staff {
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\end_layout
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\begin_layout Plain Layout
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\backslash
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key aes
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\backslash
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major
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\end_layout
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|
\begin_layout Plain Layout
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\backslash
|
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|
|
clef treble
|
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|
\end_layout
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\begin_layout Plain Layout
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%
|
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\backslash
|
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|
override Fingering #'direction = #down
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\end_layout
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\begin_layout Plain Layout
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%
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\backslash
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|
set Staff.fingeringOrientations = #'(down)
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\end_layout
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\begin_layout Plain Layout
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\backslash
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partial 8
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\end_layout
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\begin_layout Plain Layout
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<aes' aes>8
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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%
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\backslash
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|
set doubleSlurs = ##t
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\end_layout
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\begin_layout Plain Layout
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<g'-2 ees'-3>4(
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\end_layout
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\begin_layout Plain Layout
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<aes' aes>8)
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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\backslash
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noBeam
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\end_layout
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\begin_layout Plain Layout
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\backslash
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clef bass
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\end_layout
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\begin_layout Plain Layout
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c'8-1
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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%
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\backslash
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|
set doubleSlurs = ##f
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\end_layout
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\begin_layout Plain Layout
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bes8..(
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\end_layout
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\begin_layout Plain Layout
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aes32
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\end_layout
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\begin_layout Plain Layout
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g8-1)
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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f8
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\backslash
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staccato
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\end_layout
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\begin_layout Plain Layout
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\end_layout
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\begin_layout Plain Layout
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e4
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\end_layout
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\begin_layout Plain Layout
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r8
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\end_layout
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\begin_layout Plain Layout
|
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\backslash
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afterGrace
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\end_layout
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\begin_layout Plain Layout
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f8(
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\backslash
|
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|
trill_
|
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\backslash
|
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|
markup {
|
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|
\backslash
|
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|
finger "2-1" }
|
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|
\end_layout
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|
\begin_layout Plain Layout
|
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|
{ e16[ f16] }
|
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|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
g8..-1
|
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|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
f32
|
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|
|
\end_layout
|
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|
|
\begin_layout Plain Layout
|
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|
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|
e8)
|
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|
|
\backslash
|
|
|
|
|
staccato
|
|
|
|
|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
d8
|
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|
\backslash
|
|
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|
|
staccato
|
|
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|
|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
c4
|
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|
\end_layout
|
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|
\begin_layout Plain Layout
|
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|
r4
|
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|
\end_layout
|
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|
|
\begin_layout Plain Layout
|
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|
}
|
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|
|
\end_layout
|
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|
|
\begin_layout Plain Layout
|
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|
>>
|
|
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|
|
\end_layout
|
|
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|
|
\begin_layout Plain Layout
|
|
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|
|
\end_layout
|
|
|
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|
|
|
|
|
\end_inset
|
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|
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|
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|
|
\end_layout
|
|
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|
|
\end_inset
|
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|
|
|
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|
|
\end_layout
|
|
|
|
|
|
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|
|
|
\begin_layout Standard
|
|
|
|
|
\noindent
|
|
|
|
|
[
|
|
|
|
|
\begin_inset Flex URL
|
|
|
|
|
status collapsed
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
2015-04-28 16:32:09 +00:00
|
|
|
|
http://lsr.di.unimi.it/LSR/Item?id=627
|
2013-10-07 22:30:04 +00:00
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\end_inset
|
|
|
|
|
|
|
|
|
|
より。スキームコードは削除。段落設定で中央揃えに。]
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Subsection
|
|
|
|
|
タブ譜のひな型
|
|
|
|
|
\begin_inset CommandInset label
|
|
|
|
|
LatexCommand label
|
2015-11-13 18:14:45 +00:00
|
|
|
|
name "subsec:タブ譜のひな型"
|
2013-10-07 22:30:04 +00:00
|
|
|
|
|
|
|
|
|
\end_inset
|
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|
|
\end_layout
|
|
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|
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|
|
|
\begin_layout Standard
|
|
|
|
|
\begin_inset Preview
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
\begin_inset Flex LilyPond
|
|
|
|
|
status collapsed
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
upper=
|
|
|
|
|
\backslash
|
|
|
|
|
relative c' {
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
c4.
|
|
|
|
|
g4 g c
|
|
|
|
|
\end_layout
|
|
|
|
|
|
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|
|
|
\begin_layout Plain Layout
|
|
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|
|
|
|
|
|
|
}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
lower=
|
|
|
|
|
\backslash
|
|
|
|
|
relative c {
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
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|
|
|
|
|
|
|
c4 e g, e'
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
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|
|
|
|
|
|
|
}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
score {
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
new StaffGroup <<
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
new Staff = "guitar" <<
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
context Voice = "upper guitar" {
|
|
|
|
|
\backslash
|
|
|
|
|
clef "G_8"
|
|
|
|
|
\backslash
|
|
|
|
|
voiceOne
|
|
|
|
|
\backslash
|
|
|
|
|
upper }
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
context Voice = "lower guitar" {
|
|
|
|
|
\backslash
|
|
|
|
|
clef "G_8"
|
|
|
|
|
\backslash
|
|
|
|
|
voiceTwo
|
|
|
|
|
\backslash
|
|
|
|
|
lower }
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
>>
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
new TabStaff = "tab" <<
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
context TabVoice = "upper tab" {
|
|
|
|
|
\backslash
|
|
|
|
|
clef "tab"
|
|
|
|
|
\backslash
|
|
|
|
|
voiceOne
|
|
|
|
|
\backslash
|
|
|
|
|
upper }
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\backslash
|
|
|
|
|
context TabVoice = "lower tab" {
|
|
|
|
|
\backslash
|
|
|
|
|
clef "tab"
|
|
|
|
|
\backslash
|
|
|
|
|
voiceTwo
|
|
|
|
|
\backslash
|
|
|
|
|
lower }
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
>>
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
>>
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
|
|
|
|
}
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\end_inset
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\end_inset
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\begin_layout Standard
|
|
|
|
|
\noindent
|
|
|
|
|
[
|
|
|
|
|
\begin_inset Flex URL
|
|
|
|
|
status collapsed
|
|
|
|
|
|
|
|
|
|
\begin_layout Plain Layout
|
|
|
|
|
|
2015-04-28 16:32:09 +00:00
|
|
|
|
http://lsr.di.unimi.it/LSR/Item?id=634
|
2013-10-07 22:30:04 +00:00
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\end_inset
|
|
|
|
|
|
|
|
|
|
より]
|
|
|
|
|
\end_layout
|
|
|
|
|
|
|
|
|
|
\end_body
|
|
|
|
|
\end_document
|