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hollywood update

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git-svn-id: svn://svn.lyx.org/lyx/lyx-devel/branches/BRANCH_1_1_6@2823 a592a061-630c-0410-9148-cb99ea01b6c8
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Jean-Marc Lasgouttes 2001-10-01 10:14:08 +00:00
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8
ChangeLog
View File

@ -1,3 +1,11 @@
2001-10-01 Garst R. Reese <reese@isn.net>
* lib/tex/hollywood.cls:
* lib/layouts/hollywood.layout:
* lib/examples/script_form.lyx:
* lib/templates/hollywood.lyx: updated hollywood class and support
files.
2001-10-01 Dekel Tsur <dekelts@tau.ac.il>
* src/paragraph.C (asString): Do not ignore newline/hfill chars when

443
lib/examples/script_form.lyx
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@ -16,21 +16,112 @@
\paperorientation portrait
\leftmargin 1.5in
\topmargin 48bp
\rightmargin 1in
\bottommargin 0.5in
\rightmargin 0.75in
\bottommargin 30bp
\headheight 12bp
\headsep 24bp
\footskip 0bp
\footskip 6bp
\secnumdepth 2
\tocdepth 2
\paragraph_separation indent
\defskip smallskip
\defskip medskip
\quotes_language english
\quotes_times 2
\papercolumns 1
\papersides 1
\paperpagestyle default
\paperpagestyle fancy
\layout General
[NICHOLL FELLOWSHIPS in SCREENWRITING]
\layout General
http://www.oscars.org/academy/nichollindex.html
\layout General
\begin_inset ERT
status Open
\layout Dialogue
\backslash
thispagestyle{empty}
\end_inset
\layout General
Formatted text courtesy of Ann Garretson
\layout General
http://www.halcyon.com/aga
\layout General
Copyright 1998 by the Academy of Motion Picture Arts and Sciences
\layout General
----------
\layout General
FILE NOTES
\layout General
----------
\layout General
Source: Academy of Motion Picture Arts and Sciences (A.M.P.A.S.)
\layout General
- The NICHOLL FELLOWSHIPS in SCREENWRITING
\layout General
- http://www.oscars.org/nicholl/index.html
\layout General
- E-mail: Greg Beal, gbeal@oscars.org
\layout General
File Info: April, 1998 (online)
\layout General
- http://www.oscars.org/nicholl/format_a.txt
\layout General
- View in a monospaced font -- preferably 12-point Courier.
\layout General
Copyright 1998 by the Academy of Motion Picture Arts and Sciences
\layout General
----------
\layout General
Permission to use this script as a LyX example file was kindly granted by
Greg Beal, gbeal@oscars.org.
\layout General
I added a few lines at the end of script about binding.
The original script ended with the words
\begin_inset Quotes eld
\end_inset
I'd never let you miss a meal.
\begin_inset Quotes erd
\end_inset
There were also references to tabs, which don't exist in LyX, so I made
minor changes in the text.
Apologies and kudos to Ann Garretson.
Be sure to thank her when you get your Oscar.
\layout General
Garst R.
Reese
\layout General
\pagebreak_bottom
reese@isn.net
\layout Title
FOR A FEW DAYS MORE
@ -62,83 +153,137 @@ Kaplan, ND 77777
\end_inset
\layout Standard
\layout General
\begin_inset Note
collapsed true
\layout Dialogue
\layout General
Use Layout->Document
\layout Dialogue
\layout General
Spacing Other to set the spacing between lines.
A value of .85 is probably the minimum.
\end_inset
\layout Standard
\layout General
\begin_inset Note
collapsed true
\layout Dialogue
\layout General
To change
\backslash
dialogindent{1in},
\backslash
parenindent{1.75in},
\backslash
dialogLength{3in},
\backslash
parenLength{1.5in},
\layout Dialogue
To change:
\layout General
\backslash
speakerindent{2.25in}
\layout Dialogue
setlength{
\backslash
dialogindent}{1in},
\layout General
\backslash
setlength{
\backslash
parenoffset}{.5in},
\layout General
\backslash
setlength{
\backslash
dialogLength}{4in},
\layout General
\backslash
setlength{
\backslash
parenLength}{2in},
\layout General
\backslash
setlength{
\backslash
speakeroffset}{1.2in}
\layout General
click TeX and enter new values as above.
\layout General
Parenoffset is the offset to the left of parentheticals from speaker names.
\layout General
Speakeroffset is the offset to the right of the dialog margin, so changing
dialogindent will automatically change the position of parentheticals and
speaker names.
\end_inset
\begin_inset Note
collapsed true
\layout Dialogue
\layout General
You can put your Speaker names in labels, the insert cross references to
the labels.
The printed version will automatically be capitalized in Speaker even if
the label is not capped.
This way you can use them in dialogue also, and change all references to
your character's names just by changing the label.
your Speaker's names just by changing the label.
\end_inset
\layout General
\begin_inset ERT
status Collapsed
\layout Dialogue
\backslash
setlength{
\backslash
parenLength}{1.7in}
\layout Dialogue
\backslash
setlength{
\backslash
dialogLength}{3.2in}
\end_inset
\layout INT.
DRISKILL HOTEL SEMINAR ROOM DAY
DRISKILL HOTEL SEMINAR ROOM - DAY
\layout Description
JOE and APRIL burst through the doors into a clean, well-lit seminar room.
\layout Dialogue
JOE and APRIL burst through the doors into a clean, well-lit seminar room
\layout General
\begin_inset Note
collapsed true
\layout Dialogue
\layout General
Use the description after INT.
or EXT.
to keep it on the same page.
Narrative is the same, except that it allows a pagebreak before it.
Notice that I did not use the labels for Joe and April here because they
are upper-cased in discriptions only the first time they are used.
You could make extra labels, but I think it would be error-prone.
\end_inset
@ -238,17 +383,8 @@ Okay, okay, don't panic.
She takes three deep breaths.
Then she looks at her watch and smiles.
\layout Speaker
\layout Continuing
\begin_inset LatexCommand \ref{April}
\end_inset
\layout Parenthetical
continuing
\layout Dialogue
We're an hour early.
@ -276,8 +412,8 @@ Okay, you start.
\layout Dialogue
Left, 1.5 inches.
Right, 1.0 inches.
Top, 1.0 inches to the body, 0.5 inches to the number.
Right, 0.75 inches.
Top, 1.0 inch to the body, 0.5 inches to the number.
Bottom, 0.5 to 1.5 inches, depending on where the page break comes.
\layout Speaker
@ -301,10 +437,11 @@ Page break?
\layout Dialogue
Right above me.
There are rules for breaking a page.
Scene headers remain attached to description.
A single line of dialogue is pushed to the following page.
A long dialogue passage would be split -- but I'll get to that later.
Rules for breaking a page.
Scene headers, like INT., remain attached to Description.
If a page breaks between a Speaker and a one sentence Dialogue, move it
above the Speaker.
A long Dialogue passage would be split -- but I'll get to that later.
\layout Speaker
@ -328,7 +465,9 @@ What about fonts?
Courier, 12 point, 10 pitch.
Make sure it's a non-proportional version of Courier.
\layout Narrative
\begin_inset LatexCommand \ref{Joe}
\end_inset
@ -344,7 +483,8 @@ Courier, 12 point, 10 pitch.
\layout Dialogue
What about bold-face or italics? Or a Gothic font? I love to jazzup my scripts.
What about bold-face or italics? Or a Gothic font? I love to jazz up my
scripts.
\layout Speaker
@ -379,7 +519,7 @@ Suddenly,
bolts from behind the podium and runs out into:
\layout INT.
DRISKILL HOTEL HALLWAY DAY
DRISKILL HOTEL HALLWAY - DAY
\layout Description
@ -427,7 +567,7 @@ Ah, a scene heading.
\layout EXT.
TEXAS CAPITOL BUILDING DAY
TEXAS CAPITOL BUILDING - DAY
\layout Description
@ -488,6 +628,21 @@ Dialogue margins.
Left, 3.0 inches.
Right, 2.5 inches.
Of course, you can cheat those a tad.
\layout Dialogue
\begin_inset Note
collapsed true
\layout General
These are from the paper edge, but you specify them from
\layout General
the left margin using dialoglength and dialogIndent.
\end_inset
\layout Speaker
@ -534,7 +689,7 @@ You've got it.
looking up
\layout Dialogue
And the position of the character's name?
And the position of the speaker's name?
\layout Speaker
@ -545,12 +700,15 @@ And the position of the character's name?
\layout Dialogue
All CAPS, and tabbed to about 4.2 inches.
Some writers center all the characters' names.
All CAPS, and about 2.7 inches from the left margin.
Some writers center all the speakers' names.
\layout General
\begin_inset Note
collapsed true
\layout Dialogue
\layout General
Use More to break up a dialogue across a page boundary.
It will put (MORE) at the bottom of the page, and insert the current speaker
@ -587,9 +745,9 @@ Hey, what happened?
\layout Dialogue
A page break appeared in the middle of my dialogue.
You use MORE at the bottom of the page to show that the character's dialogue
You use (MORE) at the bottom of the page to show that the speaker's dialogue
continues onto the next page.
Then CONT'D next to the character to show that it has roots in the previous
Then (CONT'D) next to the speaker to show that it has roots in the previous
page.
\layout Speaker
@ -604,7 +762,7 @@ A page break appeared in the middle of my dialogue.
But not everybody uses MOREs and CONT'Ds, do they?
\layout INT.
CAPITOL BUILDING DAY
CAPITOL BUILDING - DAY
\layout Description
@ -654,8 +812,8 @@ What about parentheticals?
\layout Dialogue
Start them about 0.5 inches to the left of the character name tab mark.
In our case that would be at 3.7 inches.
Start them about a half-inch to the left of the speaker name.
In our case that would be at 2.2 inches from the left margin.
\layout Speaker
@ -678,7 +836,7 @@ And what are they for?
\layout Dialogue
For years, parentheticals were used to express emotion, the manner in which
a character spoke her lines.
a speaker spoke her lines.
Loudly, passionately, sadly, and so on.
In recent years writers have often used them for brief bits of action.
\layout Speaker
@ -742,7 +900,7 @@ If you place a parenthetical in the middle of a dialogue passage, it should
remain distinct from the dialogue.
\layout EXT.
MISSISSIPPI RIVERBOAT NIGHT
MISSISSIPPI RIVERBOAT - NIGHT
\layout Description
A gambling boat rolls slowly along the mighty river.
@ -837,13 +995,13 @@ If you'd like \SpecialChar \ldots{}
\layout EXT.
AIRPLANE SUNSET
AIRPLANE - SUNSET
\layout Description
A jet liner cruises East across Texas.
\layout INT.
AIRPLANE SUNSET
AIRPLANE - SUNSET
\layout Description
A customized interior, replete with lounge chairs and sofas.
@ -884,17 +1042,29 @@ Or it could be tomorrow.
\layout TITLE OVER:
October 19, 1997
\layout Speaker
\layout Continuing
\layout General
\begin_inset LatexCommand \ref{April}
\begin_inset Note
collapsed true
\layout General
Selecting
\begin_inset Quotes eld
\end_inset
Continuing
\begin_inset Quotes erd
\end_inset
will insert the current Speaker followed by (continuing) as a parenthetical.
Don't worry, it will look right on the printed version.
\end_inset
\layout Parenthetical
continuing
\layout Dialogue
You see, a few weeks have passed.
@ -996,7 +1166,7 @@ You really think so?
That's my recommendation.
\layout INT.
BLUE CAMARO DAY
BLUE CAMARO - DAY
\layout Description
@ -1116,7 +1286,7 @@ But other writers just use normal description and standard scene headers
Many do.
\layout INT.
DRISKILL HOTEL ENTRANCE HALL -- PHONE BOOTH DAY
DRISKILL HOTEL ENTRANCE HALL -- PHONE BOOTH - DAY
\layout Description
A slightly less dazed
@ -1165,7 +1335,7 @@ You're filtered?
\layout EXT.
STATE CAPITOL PHONE BOOTH DAY
STATE CAPITOL PHONE BOOTH - DAY
\layout Description
With the dome looming large behind her,
@ -1212,11 +1382,11 @@ Let's try something easy.
Number each and every page, though you can start with page two.
The numbers should appear in the upper right hand corner, about 0.5 inches
down and 0.75 inches from the right page edge.
Those dimensions are not set in stone, but the numbers should always be
Those dimensions are not set in stone, but page numbers should always be
placed in the upper right hand corner.
\layout INT.
DRISKILL HOTEL HALLWAY DAY
DRISKILL HOTEL HALLWAY - DAY
\layout Description
@ -1285,7 +1455,7 @@ Oftentimes for narration, for a narrator's voice.
Documentary films are filled with voice over.
\layout INT.
DRISKILL HOTEL SEMINAR ROOM DAY
DRISKILL HOTEL SEMINAR ROOM - DAY
\layout Description
@ -1438,23 +1608,14 @@ That's the story.
jumps down from the podium and runs out the door just as conference ATTENDEES
begin to enter.
\layout Speaker
\layout Continuing
\begin_inset LatexCommand \ref{April}
\end_inset
\layout Parenthetical
continuing
\layout Dialogue
By the way, the first time you introduce a character in description, you
CAP his name.
By the way, the first time you introduce a speaker in description, you CAP
his name.
And when you break dialogue with description, the standard is to place
"continuing" within parentheses when a character chatters on and on.
"continuing" within parentheses when a speaker chatters on and on.
\layout Narrative
@ -1463,20 +1624,11 @@ By the way, the first time you introduce a character in description, you
\end_inset
watches as a number of people sit down before her.
\layout Speaker
\layout Continuing
\begin_inset LatexCommand \ref{April}
\end_inset
\layout Parenthetical
continuing
\layout Dialogue
Of course, many writers have dropped "continuing" from their repetoire.
Of course, many writers have dropped "continuing" from their repertoire.
I mean, it's obvious that I'm still speaking, isn't it? And that I never
stopped speaking.
\layout Speaker
@ -1570,109 +1722,14 @@ A script sandwich?
\layout Dialogue
You need your script, two sheets of plain manila binding stock, a three
hole punch, and three one inch brass brads.
hole punch, and three 1.5 inch brass brads.
No title or name on the binding stock.
When you get it all assembled, you can hammer the brass brads down to make
it good and tight.
Now lets go eat.
\layout FADE OUT
\begin_inset Note
collapsed true
\layout Dialogue
FADE OUT used to be FADE OUT:
\layout Dialogue
This will cause minor breakage in old scripts.
\end_inset
\layout Speaker
\pagebreak_bottom
THE END
\layout Standard
<-------------------- FORMAT GUIDE STOPS HERE ------------------->
\layout Standard
[NICHOLL FELLOWSHIPS in SCREENWRITING]
\layout Standard
http://www.oscars.org/academy/nichollindex.html
\layout Standard
Formatted text courtesy of Ann Garretson
\layout Standard
http://www.halcyon.com/aga
\layout Standard
Copyright 1998 by the Academy of Motion Picture Arts and Sciences
\layout Standard
###
\layout Standard
----------
\layout Standard
FILE NOTES
\layout Standard
----------
\layout Standard
Source: Academy of Motion Picture Arts and Sciences (A.M.P.A.S.)
\layout Standard
- The NICHOLL FELLOWSHIPS in SCREENWRITING
\layout Standard
- http://www.oscars.org/nicholl/index.html
\layout Standard
- E-mail: Greg Beal, gbeal@oscars.org
\layout Standard
File Info: April, 1998 (online)
\layout Standard
- http://www.oscars.org/nicholl/format_a.txt
\layout Standard
- View in a monospaced font -- preferably 12-point Courier.
\layout Standard
Copyright 1998 by the Academy of Motion Picture Arts and Sciences
\layout Standard
----------
\layout Standard
Permission to use this script as a LyX example file was kindly granted by
Greg Beal, gbeal@oscars.org.
\layout Standard
I added a few lines at the end of script about binding.
The original script ended with the words
\begin_inset Quotes eld
\end_inset
I'd never let you miss a meal.
\begin_inset Quotes erd
\end_inset
Apologies and kudos to Ann Garretson.
Be sure to thank her when you get your Oscar.
\layout Dialogue
Garst R.
Reese
\layout Dialogue
reese@isn.net
\the_end

197
lib/examples/scriptone.lyx
View File

@ -1,197 +0,0 @@
#This file was created by <garst> Thu Jan 7 22:44:37 1999
#LyX 1.0 (C) 1995-1998 Matthias Ettrich and the LyX Team
\lyxformat 2.15
\textclass hollywood
\begin_preamble
\renewcommand{\headrulewidth}{0pt}
\renewcommand{\ref}[1]{#1}
\end_preamble
\language english
\inputencoding default
\fontscheme default
\graphics default
\paperfontsize default
\spacing single
\papersize letterpaper
\paperpackage a4
\use_geometry 1
\use_amsmath 0
\paperorientation portrait
\leftmargin 1.6in
\topmargin 0.5in
\rightmargin 0.75in
\bottommargin 0.75in
\headheight 0.5in
\headsep 12bp
\footskip 0.5in
\secnumdepth 2
\tocdepth 2
\paragraph_separation indent
\defskip medskip
\quotes_language english
\quotes_times 2
\papercolumns 1
\papersides 1
\paperpagestyle default
\layout Title
Silent Heavens
\layout Author
\added_space_bottom vfill
by Garst R.
Reese
\layout Right Address
\pagebreak_bottom
\size large
Garst R.
Reese
\newline
284 Sydney Street
\newline
Charlottetown, PE
\newline
CANADA C1A 1H2
\newline
(902) 566-3565
\newline
reese@isn.net
\newline
WGA/c
\layout EXT.
RURAL NEW ZEALAND ROADSIDE DURING METEOR STORM - NIGHT
\layout Narrative
Earth is colliding with the first meteor storm of the space age.
The sky is filled with meteor trails.
As credits role we here (0.S.) OOH's AHH's, the occaisional
\begin_inset Quotes eld
\end_inset
LOOK AT THAT ONE!
\begin_inset Quotes erd
\end_inset
,
\begin_inset Quotes eld
\end_inset
WOW
\begin_inset Quotes erd
\end_inset
.
\layout Transition
CUT TO:
\layout INT.
NATIONAL SECURITY AGENCY - DAY
\layout Narrative
War-room like setting.
Gathering of Generals, scientists and politicos.
Big wall computer display showing satellite orbits.
\layout Speaker
\begin_inset LatexCommand \label{GENERAL BULLMOOSE}
\end_inset
\begin_inset LatexCommand \ref{GENERAL BULLMOOSE}
\end_inset
\layout Parenthetical
frustrated
\layout Dialogue
How many we gonna loose?
\newline
Can anybody here make a wild guess?
\layout Speaker
\begin_inset LatexCommand \label{DR. NOAD}
\end_inset
\begin_inset LatexCommand \ref{DR. NOAD}
\end_inset
\layout Dialogue
Pick a number between none and all.
\layout Speaker
\begin_inset LatexCommand \ref{GENERAL BULLMOOSE}
\end_inset
\layout Dialogue
Fuck you smartass.
I don't need your humor, I need information.
I got men depending on those goddamned satellites.
And you better believe that Saddam knows that.
He knows that's the only reason our tanks were able to sneek around his
defenses.
They go, he comes, we die.
\layout Speaker
\begin_inset LatexCommand \ref{DR. NOAD}
\end_inset
\layout Parenthetical
taking a deep breath
\layout Dialogue
My apologies general.
It was not my intention to make light of your situation.
My own frustrations pale in the light of your responsibilites.
The estimates I have received all fall into the category of wild guesses.
I'll do my best to tell you what we know we can expect.
\layout Speaker
\begin_inset LatexCommand \ref{GENERAL BULLMOOSE}
\end_inset
\layout Dialogue
From the look on your face, I can tell you are not going to be bearer of
good news.
Don't worry, we no longer shoot bearers of bad news.
Go ahead.
\layout Speaker
\begin_inset LatexCommand \ref{DR. NOAD}
\end_inset
\layout Dialogue
Even if the satellites are not hit directly, the atomospheric ionization
is likely to disrupt communications for several hours, and possibly several
days.
During that period we will not know how many survived.
\the_end

191
lib/layouts/hollywood.layout
View File

@ -40,8 +40,8 @@ Style Dialogue
Margin Static
LatexType Command
LatexName dialogue
LeftMargin MMMMMMMMMMMM
RightMargin MMMMMMMMMMMM
LeftMargin MMMMMMMMMM
RightMargin MMMMMMMMMMMMMMMMMMMMMMM
ParSkip 0.0
TopSep 0.0
BottomSep 0.0
@ -50,29 +50,42 @@ Style Dialogue
LabelType No_Label
End
# Narrative description of Scene
Style Narrative
# More: Use to break a long Dialogue
Style More
Margin Static
LatexType Command
LatexName narrative
ParIndent ""
ParSkip 0.8
TopSep 1.0
LatexName more
LeftMargin MMMMMMMMMMMMMMMMMMMMMMMMMMM
ParSkip 0.0
TopSep 0.0
BottomSep 0.0
KeepEmpty 1
Align Left
AlignPossible Left
LabelType No_Label
LabelType Static
LabelString "(MORE)"
Font
Family Typewriter
Series Medium
Shape Up
Size Normal
Color Green
EndFont
End
# FADE_IN: and FADE_OUT: usually stand alone. If you want a more complicated
# FADE_IN e.g. FADE_IN on STELLA:, use the Narrative Style.
Style FADE_IN:
Margin Static
LatexType Environment
LatexName flushleft
Margin Dynamic
LatexType Command
LatexName fadein
ParIndent ""
ParSkip 0.8
TopSep 1.0
ParSkip 0.25
TopSep 0.25
Align Left
AlignPossible Left
KeepEmpty 1
@ -90,8 +103,8 @@ Style INT.
LatexType Command
LatexName interiorshot
ParIndent ""
ParSkip 0.8
TopSep 1.0
ParSkip 0.25
TopSep 0.25
Align Left
AlignPossible Left
LabelType Static
@ -103,22 +116,39 @@ Style EXT.
LatexType Command
LatexName exteriorshot
ParIndent ""
ParSkip 0.8
TopSep 1.0
ParSkip 0.25
TopSep 0.25
Align Left
AlignPossible Left
LabelType Static
LabelString "EXT. "
End
# Narrative description of Scene
# same as narrative, but glued to INT., EXT., or Scene
Style Description
Margin Static
LatexType Command
LatexName description
ParIndent ""
ParSkip 0.25
TopSep 0.25
RightMargin MMMMM
Align Left
AlignPossible Left
LabelType No_Label
End
# Speaker style definition, identifies speaker ALL CAPS
# Use this also for THE END
Style Speaker
Margin Static
LatexType Command
LatexName speaker
LeftMargin MMMMMMMMMMMMMMMMMMMMMM
LeftMargin MMMMMMMMMMMMMMMMMMMMMMM
ParSkip 0.0
TopSep 1.0
TopSep 0.25
BottomSep 0.0
Align Left
AlignPossible Left
@ -131,7 +161,8 @@ Style Parenthetical
Margin Static
LatexType Command
LatexName parenthetical
LeftMargin MMMMMMMMMMMMMMMMM
LeftMargin MMMMMMMMMMMMMMMMMMM
RightMargin MMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
TopSep 0.0
BottomSep 0.0
ParSkip 0.0
@ -152,6 +183,48 @@ EndFont
End
# Used when the same speaker continues after a narrative. Don't type
# anything.
Style Continuing
Margin Static
LatexType Command
LatexName continuing
LeftMargin MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
TopSep 0.5
BottomSep 0.5
ParSkip 0.0
KeepEmpty 1
Align Left
AlignPossible Left
LabelType Static
LabelString "(continuing)"
Font
Family Typewriter
Series Medium
Shape Up
Size Normal
Color Green
EndFont
End
# Narrative description of action
Style Narrative
Margin Static
LatexType Command
LatexName narrative
ParIndent ""
ParSkip 0.25
TopSep 0.25
RightMargin MMMMM
Align Left
AlignPossible Left
LabelType No_Label
End
# Transition style definition ALL CAPS
Style Transition
@ -159,14 +232,42 @@ Style Transition
LatexType Environment
LatexName flushright
ParIndent ""
TopSep 1.0
TopSep 0.5
ParSkip 0.4
Align Right
AlignPossible Right
LabelType No_Label
End
Style FADE_OUT:
Style TITLE_OVER:
Margin Dynamic
LatexType Command
LatexName titleover
ParIndent ""
ParSkip 0.5
TopSep 0.5
Align Left
AlignPossible Left
KeepEmpty 1
LabelType Static
LabelString "TITLE OVER: "
End
Style INTERCUT
Margin Dynamic
LatexType Command
LatexName intercut
ParIndent ""
ParSkip 0.25
TopSep 0.5
Align Left
AlignPossible Left
KeepEmpty 1
LabelType Static
LabelString "INTERCUT WITH: "
End
Style FADE_OUT
Margin Dynamic
LatexType Command
LatexName fadeout
@ -177,11 +278,11 @@ Style FADE_OUT:
AlignPossible Left
KeepEmpty 1
LabelType Static
LabelString "FADE OUT"
LabelString "FADE OUT "
End
# Standard style definition (I kept this one to provide a general case)
Style Standard
# Same as Standard, Standard deprecated
Style General
Margin Static
LatexType Paragraph
LatexName dummy
@ -192,7 +293,18 @@ Style Standard
Labeltype No_Label
End
# General Left aligned CAPS
Style Scene
Margin Dynamic
LatexType Command
LatexName scene
ParIndent ""
ParSkip 0.25
TopSep 0.25
Align Left
AlignPossible Left
LabelType No_Label
End
# Right Address style
Style Right_Address
@ -232,6 +344,29 @@ Style Title
AlignPossible Left, Right, Center
End
# Standard style definition (I kept this one to provide a general case)
Style Standard
ObsoletedBy General
End
Style FADE_OUT:
ObsoletedBy FADE_OUT
End
# For shooting scripts only, puts CONTINUED in rfoot, CONTINUED: in
# nextpage lhead and clears that rfoot. It is used when a scene continues
# onto the next page. This command is provided in case a production unit
# wants to convert the spec script into a shooting script.
#Style CONTINUED
# LatexType Command
# LatexName continued
#End
# Clears rfoot, does a pagebreak, and clears lhead.
#Style NOT_CONTD
# LatexType Command
# LatexName endcontinued
#End
Input stdtitle.inc
Input stdstruct.inc

26
lib/templates/hollywood.lyx
View File

@ -1,6 +1,5 @@
#This file was created by <garst> Fri Jan 8 16:22:26 1999
#LyX 1.0 (C) 1995-1998 Matthias Ettrich and the LyX Team
\lyxformat 2.15
#LyX 1.2 created this file. For more info see http://www.lyx.org/
\lyxformat 220
\textclass hollywood
\language english
\inputencoding default
@ -12,14 +11,16 @@
\paperpackage a4
\use_geometry 1
\use_amsmath 0
\use_natbib 0
\use_numerical_citations 0
\paperorientation portrait
\leftmargin 1.6in
\topmargin 0.5in
\leftmargin 1.5in
\topmargin 48bp
\rightmargin 0.75in
\bottommargin 0.75in
\headheight 0.5in
\headsep 12bp
\footskip 0.5in
\bottommargin 30bp
\headheight 12bp
\headsep 24bp
\footskip 6bp
\secnumdepth 2
\tocdepth 2
\paragraph_separation indent
@ -28,7 +29,7 @@
\quotes_times 2
\papercolumns 1
\papersides 1
\paperpagestyle default
\paperpagestyle fancy
\layout Title
@ -41,6 +42,8 @@
<your address>
\newline
<continued>
\newline
<last line>
\layout Narrative
\pagebreak_top
Delete this text.
@ -61,4 +64,7 @@ Use two 1.5in brass brads and hammer them down.
Remember---nothing goes in a script that you cannot see or hear!! 1 page
per minute.
120 pages max.
\layout Narrative
See examples/script_form.lyx for details.
\the_end

165
lib/tex/hollywood.cls
View File

@ -5,12 +5,14 @@
%% Derived from report.cls. There is probably still a lot of stuff
%% that could be deleted.
\NeedsTeXFormat{LaTeX2e}
\ProvidesClass{hollywood} [1998/10/27 v1.0 uses hollywood.layout]
\ProvidesClass{hollywood} [2001/9/10 v1.2 uses hollywood.layout]
\usepackage{fancyhdr}
\usepackage{extramarks}
\usepackage{ifthen}
\usepackage{lastpage}
\pagestyle{fancy}
%%\usepackage{geometry}
\usepackage{calc}
%%\usepackage{setspace}
\renewcommand{\ref}[1]{#1}
\newcommand\@ptsize{}
\newif\if@restonecol
@ -19,7 +21,8 @@
\newif\if@openright
\DeclareOption{letterpaper}
{\setlength\paperheight {11in}%
\setlength\paperwidth {8.5in}}
\setlength\paperwidth {8.5in}%
}
\DeclareFontFamily{OT1}{pcr}{\hyphenchar\font=-1}
\DeclareFontShape{OT1}{pcr}{m}{n}{<12> pcrr7t}{}
\DeclareFontFamily{T1}{pcr}{\hyphenchar\font=-1}
@ -59,13 +62,13 @@
\renewcommand\dblfloatpagefraction{.5}
\def\ps@headings{%
\let\@oddfoot\@empty
\def\@oddhead{{\slshape\rightmark}\hfil\thepage}%
\def\@oddhead{{\slshape\rightmark}\hfil\thepage.}%
\let\@mkboth\markboth
}
\def\ps@myheadings{%
\let\@oddfoot\@empty\let\@evenfoot\@empty
\def\@evenhead{\thepage\hfil\slshape\leftmark}%
\def\@oddhead{{\slshape\rightmark}\hfil\thepage}%
\def\@evenhead{\thepage.\hfil\slshape\leftmark}%
\def\@oddhead{{\slshape\rightmark}\hfil\thepage.}%
\let\@mkboth\@gobbletwo
}
\if@titlepage
@ -132,10 +135,12 @@
\fi
\thispagestyle{empty}%
\setcounter{page}\@ne
\addtocounter{page}{1}
}%
{\if@restonecol\twocolumn \else \newpage \fi
\if@twoside\else
\setcounter{page}\@ne
\addtocounter{page}{1}
\fi
}
\setlength\tabbingsep{\labelsep}
@ -150,24 +155,29 @@
\setlength\columnseprule{0\p@}
\pagestyle{plain}
\pagenumbering{arabic}
\if@twoside
\else
\raggedbottom
\fi
\if@twocolumn
\twocolumn
\sloppy
\flushbottom
\else
\onecolumn
\fi
% This stuff is for a shooting script
% \lhead{\ifthenelse{ \not \value{page} = 1}{CONTINUED:}{}}
% \rfoot{\ifthenelse{ \not \value{page}=\pageref{LastPage}}{(CONT'D)}
% {\ifthenelse{\value{page}=\pageref{LastPage}}{(END)}{}}}
\rfoot{\pageref{LastPage}[]{}}
% This is what we want for a spec script
%% set l & rt margin
\setlength{\rightmargin}{.75in}
\setlength{\leftmargin}{1.5in}%
\setlength{\textwidth}%
{\paperwidth -\leftmargin -\rightmargin}%
%% Set vertical spacing
\setlength\topmargin {48bp}%
\setlength\headheight {12bp}%
\setlength\headsep {24bp}%
\setlength\footskip {0bp}% there are no footnotes
%% set page length
\newlength{\bmargin}%
\setlength{\bmargin}{.75in}%
\setlength{\textheight}%
{\paperheight -\bmargin -\topmargin -\headheight -\headsep }%
\pagestyle{fancy}
\rhead{\thepage.}
\cfoot{}
% This one is needed to get real adobe courier, but you can use
@ -180,39 +190,122 @@
% hyphenation, but I do not remember how.
% That's good because we -do not- want any hyphenation.
\sloppy
\newcommand{\fadein}[1]{\filbreak\raggedright\par FADE IN: \uppercase{#1}}%
\newlength{\lnspace}
\setlength{\lnspace}{6bp plus 3bp minus 3bp}
\newcommand{\fadein}[1]{\filbreak\raggedright\par FADE IN:
\uppercase{#1}\par\vspace{2bp}}%
\newcommand{\fadeout}{\filbreak\raggedright\par FADE OUT }%
\newcommand{\interiorshot}[1]{\filbreak\raggedright\par INT. \uppercase{#1}}%
\newcommand{\exteriorshot}[1]{\filbreak\raggedright\par EXT. \uppercase{#1}}%
\newcommand{\intercut}{\filbreak\par INTERCUT WITH: }%
\newcommand{\interiorshot}[1]%
{\filbreak
\vspace{\lnspace}
\raggedright
\par INT.
\uppercase{#1}
}%
\newcommand{\exteriorshot}[1]%
{\filbreak
\vspace{\lnspace}
\raggedright
\par EXT.
\uppercase{#1}
\vspace{\lnspace}
}%
%% Generalized Scene command in case INT. EXT. etc is not sufficient.
\newcommand{\scene}[1]%
{\filbreak
\vspace{4bp}
\raggedright
\par
\uppercase{#1}
}%
\newlength{\dialogLength}
\setlength{\dialogLength}{4in minus 1in}
\newlength{\parenLength}
\setlength{\parenLength}{2.2in plus .5in minus .7in}
\newlength{\dialogindent}
\setlength{\dialogindent}{1in plus .5in}
\newcommand{\dialogue}[1]%
{\raggedright
\hspace{1in}
\parbox{4in}{#1}
\vspace{6pt}
\hspace{\dialogindent}
\parbox{\dialogLength}{#1}
\vspace{4bp}
}
\newcommand{\narrative}[1]%
{\filbreak
\vspace{6pt}
\vspace{4bp}
\raggedright{#1}
\vspace{6pt}
\vspace{4bp}
}
\newcommand{\description}[1]%
{
\rfoot[]{}
\lhead[]{}
\vspace{\lnspace}
\raggedright{#1}
\vspace{\lnspace}
}
\newsavebox{\currentspeaker}
\newlength{\speakeroffset}
\setlength{\speakeroffset}{1in plus .25in}
\newlength{\speakerindent}
\setlength{\speakerindent}{\dialogindent +\speakeroffset}
\newcommand{\speaker}[1]%
{\filbreak
\vspace{12pt}
\hspace{2.25in}{#1}
\vspace{6pt}
\vspace{4bp}
\hspace{\speakerindent}
\sbox{\currentspeaker}{\uppercase{#1}}
\usebox{\currentspeaker}
\vspace{4bp}
}
\newcommand{\contd}%
{\filbreak
\vspace{4bp}
\hspace{\speakerindent}\usebox{\currentspeaker} (CONT'D)
\vspace{4bp}
}
\newcommand{\more}%
{
\vspace{0bp}
\hspace{\speakerindent}\uppercase{(MORE)}
\pagebreak\contd%
}
\newlength{\parenindent}
\newlength{\parenoffset}
\setlength{\parenoffset}{.5in}
\setlength{\parenindent}{\speakerindent -\parenoffset}
\newcommand{\parenthetical}[1]%
{\raggedright
\hspace{1.75in}
\parbox{1.5in}{(#1)}
\vspace{6pt}}
{
\hspace{\parenindent}
\vspace{-2bp}
\parbox{\parenLength}{(#1)}
\vspace{4bp}}
\newcommand{\titleover}[1]%
{\filbreak
\par TITLE OVER:
\par\hspace{\parenindent}{#1}\par\raggedright}
\newcommand{\continuing}[0]%
{\filbreak
\vspace{4bp}
\hspace{\speakerindent}
\usebox{\currentspeaker}{ (continuing})\par
\vspace{2bp}
}
\endinput
%%
%% End of file `hollywood.cls'.
%% End of file `hollywood.cls'
~