mirror of
https://git.lyx.org/repos/lyx.git
synced 2024-11-26 03:11:59 +00:00
new french example files
git-svn-id: svn://svn.lyx.org/lyx/lyx-devel/trunk@1832 a592a061-630c-0410-9148-cb99ea01b6c8
This commit is contained in:
Jean-Marc Lasgouttes
parent
c5a0750890
commit
efdf13b330
@ -1,3 +1,9 @@
|
||||
2001-03-27 Jean-Marc Lasgouttes <Jean-Marc.Lasgouttes@inria.fr>
|
||||
|
||||
* fr_AlignementDecimal.lyx:
|
||||
* fr_Macros_Math.lyx:
|
||||
* fr_MultiColonnes.lyx: new files from Adrien Rebollo.
|
||||
|
||||
2001-03-21 José Abílio Matos <jamatos@fep.up.pt>
|
||||
|
||||
* layouts/linuxdoc.layout: add support for CDATA section in code.
|
||||
|
||||
264
lib/examples/fr_AlignementDecimal.lyx
Normal file
264
lib/examples/fr_AlignementDecimal.lyx
Normal file
@ -0,0 +1,264 @@
|
||||
#LyX 1.1 created this file. For more info see http://www.lyx.org/
|
||||
\lyxformat 218
|
||||
\textclass article
|
||||
\begin_preamble
|
||||
\usepackage{dcolumn}
|
||||
\newcolumntype{d}[1]{D{.}{.}{#1}}
|
||||
\end_preamble
|
||||
\language frenchb
|
||||
\inputencoding latin1
|
||||
\fontscheme default
|
||||
\graphics default
|
||||
\paperfontsize default
|
||||
\spacing single
|
||||
\papersize Default
|
||||
\paperpackage a4
|
||||
\use_geometry 0
|
||||
\use_amsmath 0
|
||||
\paperorientation portrait
|
||||
\secnumdepth 3
|
||||
\tocdepth 3
|
||||
\paragraph_separation indent
|
||||
\defskip medskip
|
||||
\quotes_language french
|
||||
\quotes_times 2
|
||||
\papercolumns 1
|
||||
\papersides 1
|
||||
\paperpagestyle default
|
||||
|
||||
\layout Title
|
||||
|
||||
Une meilleure solution pour l'Alignement Décimal
|
||||
\begin_float footnote
|
||||
\layout Standard
|
||||
|
||||
Traduction par Adrien
|
||||
\noun on
|
||||
Rebollo
|
||||
\noun default
|
||||
|
||||
\family typewriter
|
||||
<Adrien.Rebollo@wanadoo.fr>
|
||||
\family default
|
||||
.
|
||||
\end_float
|
||||
|
||||
\begin_inset Info
|
||||
Informations de révision :
|
||||
Traduction : Mise à jour Date: 2001/03/20
|
||||
Original : Révision: 1.3, Date: 2000/11/03
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Standard
|
||||
|
||||
Une méthode alternative pour obtenir un alignement décimal dans les tableaux
|
||||
est de passer par le paquetage
|
||||
\family typewriter
|
||||
dcolumn
|
||||
\family default
|
||||
.
|
||||
Ajoutez ce qui suit au préambule LaTeX :
|
||||
\layout LyX-Code
|
||||
|
||||
|
||||
\backslash
|
||||
usepackage{dcolumn}
|
||||
\layout LyX-Code
|
||||
|
||||
|
||||
\backslash
|
||||
newcolumntype{d}[1]{D{.}{.}{#1}}
|
||||
\layout Standard
|
||||
|
||||
Pour avoir une colonne alignée sur le symbole décimal, entrez ce qui suit
|
||||
dans le champ
|
||||
\family sans
|
||||
Colonne\SpecialChar ~
|
||||
spéciale\SpecialChar \menuseparator
|
||||
Alignement
|
||||
\family default
|
||||
de la fenêtre
|
||||
\family sans
|
||||
Style\SpecialChar ~
|
||||
du\SpecialChar ~
|
||||
Tableau\SpecialChar \menuseparator
|
||||
Colonne/Rangée
|
||||
\family default
|
||||
:
|
||||
\layout LyX-Code
|
||||
|
||||
d{nombre de chiffres après la virgule dans les données}
|
||||
\layout Standard
|
||||
|
||||
Dans le tableau suivant nous avons entré
|
||||
\family typewriter
|
||||
d{4}
|
||||
\family default
|
||||
:
|
||||
\layout Standard
|
||||
\added_space_top 0.3cm \added_space_bottom 0.3cm \align center
|
||||
|
||||
\begin_inset Tabular
|
||||
<lyxtabular version="2" rows="5" columns="2">
|
||||
<features rotate="false" islongtable="false" endhead="0" endfirsthead="0" endfoot="0" endlastfoot="0">
|
||||
<column alignment="center" valignment="top" leftline="false" rightline="false" width="" special="">
|
||||
<column alignment="right" valignment="top" leftline="true" rightline="false" width="" special="d{4}">
|
||||
<row topline="false" bottomline="true" newpage="false">
|
||||
<cell multicolumn="0" alignment="center" valignment="top" topline="true" bottomline="false" leftline="false" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
Expression
|
||||
\end_inset
|
||||
</cell>
|
||||
<cell multicolumn="1" alignment="center" valignment="top" topline="false" bottomline="true" leftline="true" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
Valeur
|
||||
\end_inset
|
||||
</cell>
|
||||
</row>
|
||||
<row topline="false" bottomline="false" newpage="false">
|
||||
<cell multicolumn="0" alignment="center" valignment="top" topline="true" bottomline="false" leftline="false" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
|
||||
\begin_inset Formula \( \pi \)
|
||||
\end_inset
|
||||
|
||||
|
||||
\end_inset
|
||||
</cell>
|
||||
<cell multicolumn="1" alignment="right" valignment="top" topline="false" bottomline="false" leftline="true" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
3,1416
|
||||
\end_inset
|
||||
</cell>
|
||||
</row>
|
||||
<row topline="false" bottomline="false" newpage="false">
|
||||
<cell multicolumn="0" alignment="center" valignment="top" topline="true" bottomline="false" leftline="false" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
|
||||
\begin_inset Formula \( \pi ^{\pi } \)
|
||||
\end_inset
|
||||
|
||||
|
||||
\end_inset
|
||||
</cell>
|
||||
<cell multicolumn="0" alignment="center" valignment="top" topline="true" bottomline="false" leftline="true" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
36,462
|
||||
\end_inset
|
||||
</cell>
|
||||
</row>
|
||||
<row topline="false" bottomline="false" newpage="false">
|
||||
<cell multicolumn="0" alignment="center" valignment="top" topline="true" bottomline="false" leftline="false" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
|
||||
\begin_inset Formula \( (\pi ^{\pi })^{\pi } \)
|
||||
\end_inset
|
||||
|
||||
|
||||
\end_inset
|
||||
</cell>
|
||||
<cell multicolumn="0" alignment="center" valignment="top" topline="true" bottomline="false" leftline="true" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
80663,
|
||||
\end_inset
|
||||
</cell>
|
||||
</row>
|
||||
<row topline="false" bottomline="false" newpage="false">
|
||||
<cell multicolumn="0" alignment="center" valignment="top" topline="true" bottomline="false" leftline="false" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
|
||||
\begin_inset Formula \( \pi ^{\pi ^{\pi }} \)
|
||||
\end_inset
|
||||
|
||||
|
||||
\end_inset
|
||||
</cell>
|
||||
<cell multicolumn="0" alignment="center" valignment="top" topline="true" bottomline="false" leftline="true" rightline="false" rotate="false" usebox="none" width="" special="">
|
||||
\begin_inset Text
|
||||
|
||||
\layout Standard
|
||||
|
||||
1,3402e18
|
||||
\end_inset
|
||||
</cell>
|
||||
</row>
|
||||
</lyxtabular>
|
||||
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Standard
|
||||
|
||||
Pour créer de l'espace supplémentaire dans la colonne augmentez juste le
|
||||
nombre de décimales dans
|
||||
\family typewriter
|
||||
d{}
|
||||
\family default
|
||||
.
|
||||
Cocher l'attribut
|
||||
\family sans
|
||||
Multicolonne
|
||||
\family default
|
||||
pour une case isolée la rend insensible à l'alignement décimal, ce qui
|
||||
est commode.
|
||||
Un inconvénient de cette méthode est que le mode mathématique n'est pas
|
||||
autorisé dans une case avec l'alignement décimal sauf si l'attribut
|
||||
\family sans
|
||||
Multicolonne
|
||||
\family default
|
||||
est coché.
|
||||
\layout Standard
|
||||
|
||||
Cette méthode offre la même flexibilité que le paquetage
|
||||
\family typewriter
|
||||
dcolumn
|
||||
\family default
|
||||
.
|
||||
On peut, par exemple, changer le séparateur d'alignement, et avoir des
|
||||
séparateurs d'alignement différents pour des colonnes différentes en définissan
|
||||
t plusieurs types de colonnes dans le préambule.
|
||||
La syntaxe est comme suit :
|
||||
\layout LyX-Code
|
||||
|
||||
D{inputsep}{outputsep}{decimal places}
|
||||
\begin_float footnote
|
||||
\layout Standard
|
||||
|
||||
NdT : non traduit car je ne suis pas certain du sens
|
||||
\end_float
|
||||
\layout Standard
|
||||
|
||||
Le lecteur intéressé se référera à la documentation du paquetage
|
||||
\family typewriter
|
||||
dcolumn
|
||||
\family default
|
||||
pour plus de détails.
|
||||
\the_end
|
||||
312
lib/examples/fr_Macros_Math.lyx
Normal file
312
lib/examples/fr_Macros_Math.lyx
Normal file
@ -0,0 +1,312 @@
|
||||
#LyX 1.1 created this file. For more info see http://www.lyx.org/
|
||||
\lyxformat 218
|
||||
\textclass article
|
||||
\language frenchb
|
||||
\inputencoding latin1
|
||||
\fontscheme default
|
||||
\graphics default
|
||||
\paperfontsize 12
|
||||
\spacing single
|
||||
\papersize Default
|
||||
\paperpackage a4
|
||||
\use_geometry 0
|
||||
\use_amsmath 0
|
||||
\paperorientation portrait
|
||||
\secnumdepth 3
|
||||
\tocdepth 3
|
||||
\paragraph_separation indent
|
||||
\defskip medskip
|
||||
\quotes_language french
|
||||
\quotes_times 2
|
||||
\papercolumns 1
|
||||
\papersides 1
|
||||
\paperpagestyle default
|
||||
|
||||
\layout Title
|
||||
|
||||
Macros définies par l'utilisateur en mode mathématique
|
||||
\begin_inset Info
|
||||
Informations de révision :
|
||||
Traduction : Mise à jour Date: 2001/03/19
|
||||
Original : Révision: 1.3, Date: 2000/11/03
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Author
|
||||
|
||||
Alejandro Aguilar Sierra
|
||||
\begin_float footnote
|
||||
\layout Standard
|
||||
|
||||
Traduction par Adrien
|
||||
\noun on
|
||||
Rebollo
|
||||
\noun default
|
||||
|
||||
\family typewriter
|
||||
<Adrien.Rebollo@wanadoo.fr>
|
||||
\family default
|
||||
.
|
||||
\end_float
|
||||
\layout Section
|
||||
|
||||
Introduction
|
||||
\layout Standard
|
||||
|
||||
LyX permet à l'utilisateur de définir des macros.
|
||||
En mode math, une macro définie par l'utilisateur n'est pas un mot en rouge
|
||||
que LyX ne sait pas comment dessiner (autrefois connu comme mode macro,
|
||||
aujourd'hui simplement comme mode TeX).
|
||||
Une boîte de définition de macro apparaît à l'écran comme un bouton grisé
|
||||
avec le nom de la macro en bleu (couleur des math dans LyX).
|
||||
Mais si vous cliquez dessus, elle apparaît comme une boîte mathématique
|
||||
normale que vous pouvez éditer.
|
||||
Vous n'avez qu'à essayer :
|
||||
\begin_inset FormulaMacro
|
||||
\newcommand{\macro}{a+b}
|
||||
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Standard
|
||||
|
||||
Pour utiliser cette macro dans d'autres boîtes mathématiques vous n'avez
|
||||
qu'à en taper le nom en mode TeX, dans ce cas
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
macro
|
||||
\family default
|
||||
, et elle sera automatiquement développée :
|
||||
\begin_inset Formula \( c=\macro \)
|
||||
\end_inset
|
||||
|
||||
.
|
||||
Comme vous pouvez le vérifier, le curseur ne peut pas aller dans la macro,
|
||||
qui se comporte toute entière comme un seul caractère, et le code TeX de
|
||||
cette expression est
|
||||
\family typewriter
|
||||
c =
|
||||
\backslash
|
||||
macro
|
||||
\family default
|
||||
.
|
||||
\layout Standard
|
||||
|
||||
Toutefois le curseur peut aller dans certaines sortes de macros, celles
|
||||
qui ont des
|
||||
\emph on
|
||||
paramètres
|
||||
\begin_float footnote
|
||||
\layout Standard
|
||||
|
||||
NdT : Traduction choisie pour l'anglais
|
||||
\begin_inset Quotes fld
|
||||
\end_inset
|
||||
|
||||
argument
|
||||
\begin_inset Quotes frd
|
||||
\end_inset
|
||||
|
||||
.
|
||||
On pourrait aussi dire argument.
|
||||
\end_float
|
||||
.
|
||||
Dans une boîte de définition de macro un paramètre ressemble à un
|
||||
\family typewriter
|
||||
#
|
||||
\family default
|
||||
suivi du numéro du paramètre :
|
||||
\begin_inset FormulaMacro
|
||||
\newcommand{\macroparam}[1]{2+\sqrt{#1 }}
|
||||
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Standard
|
||||
|
||||
Une fois développée, cette macro comprend l'habituel rectangle vide pour
|
||||
indiquer que vous pouvez insérer ce que vous voulez :
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
macroparam =
|
||||
\family default
|
||||
|
||||
\begin_inset Formula \( \macroparam{} \)
|
||||
\end_inset
|
||||
|
||||
.
|
||||
Exemple :
|
||||
\begin_inset Formula \( b=\macroparam{x-2} \)
|
||||
\end_inset
|
||||
|
||||
.
|
||||
\layout Standard
|
||||
|
||||
Une fois exportée vers LaTeX, une définition de macro produit la commande
|
||||
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
newcommand
|
||||
\family default
|
||||
.
|
||||
\layout Subsection
|
||||
|
||||
Mode d'emploi des macros
|
||||
\layout Subsubsection
|
||||
|
||||
Comment en créer
|
||||
\layout Standard
|
||||
|
||||
Pour créer une boîte de définition de macro, entrez ceci dans le minibuffer
|
||||
:
|
||||
\layout Standard
|
||||
|
||||
|
||||
\family typewriter
|
||||
math-macro <nom de la macro> [nombre de paramètres]
|
||||
\layout Standard
|
||||
|
||||
Par exemple,
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
macro
|
||||
\family default
|
||||
a été créée avec
|
||||
\family typewriter
|
||||
|
||||
\begin_inset Quotes fld
|
||||
\end_inset
|
||||
|
||||
math-macro macro
|
||||
\begin_inset Quotes frd
|
||||
\end_inset
|
||||
|
||||
|
||||
\family default
|
||||
, et
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
macroparam
|
||||
\family default
|
||||
avec
|
||||
\family typewriter
|
||||
|
||||
\begin_inset Quotes fld
|
||||
\end_inset
|
||||
|
||||
|
||||
\backslash
|
||||
math-macro macroparam 1
|
||||
\begin_inset Quotes frd
|
||||
\end_inset
|
||||
|
||||
|
||||
\family default
|
||||
.
|
||||
\layout Standard
|
||||
|
||||
Pour insérer une marque de paramètre (seulement dans une boîte de définition
|
||||
de macro), utilisez ceci :
|
||||
\layout Standard
|
||||
|
||||
|
||||
\family typewriter
|
||||
math-macro-arg <numéro>
|
||||
\layout Standard
|
||||
|
||||
La marque de paramètre dans
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
macroparam
|
||||
\family default
|
||||
a été introduite avec
|
||||
\family typewriter
|
||||
|
||||
\begin_inset Quotes fld
|
||||
\end_inset
|
||||
|
||||
math-macro-arg 1
|
||||
\begin_inset Quotes frd
|
||||
\end_inset
|
||||
|
||||
|
||||
\family default
|
||||
.
|
||||
\layout Standard
|
||||
|
||||
Vous ne pouvez pas utiliser plus de 9 paramètres, numérotés de 1 à 9.
|
||||
Un paramètre peut être utilisé plusieurs fois dans la boîte de définition
|
||||
de la macro, mais ne peut bien sûr être entré qu'une fois.
|
||||
Le numéro d'un paramètre ne peut pas être supérieur au nombre de paramètres
|
||||
alloués à la macro.
|
||||
\layout Subsubsection
|
||||
|
||||
Comment y naviguer
|
||||
\layout Description
|
||||
|
||||
Avec\SpecialChar ~
|
||||
les\SpecialChar ~
|
||||
flèches\SpecialChar ~
|
||||
du\SpecialChar ~
|
||||
clavier: Entrer dans une macro par le côté gauche place
|
||||
le curseur dans le premier paramètre, pour passer au deuxième utilisez
|
||||
la touche
|
||||
\family sans
|
||||
Tab
|
||||
\family default
|
||||
.
|
||||
Rappelez-vous qu'appuyer sur la barre
|
||||
\family sans
|
||||
Espace
|
||||
\family default
|
||||
fait sortir le curseur de la macro et le place à droite de celle-ci.
|
||||
\layout Description
|
||||
|
||||
Avec\SpecialChar ~
|
||||
la\SpecialChar ~
|
||||
souris: Comme d'habitude, cliquez sur la boîte de paramètre désirée.
|
||||
Parfois ça échoue si la boîte est vide ou trop petite.
|
||||
\layout Standard
|
||||
|
||||
Pour l'instant l'utilisateur ne peut définir que des macros de commandes,
|
||||
mais de manière interne il est aussi possible de définir des macros d'environne
|
||||
ments.
|
||||
\layout Standard
|
||||
|
||||
Il y a plusieurs macros prédéfinies, principalement pour permettre aux utilisate
|
||||
urs d'AMS-LaTeX d'utiliser les macros AMS de façon WYSIWYM, comme
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
cases
|
||||
\family default
|
||||
et
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
binom
|
||||
\begin_float footnote
|
||||
\layout Standard
|
||||
|
||||
|
||||
\emph on
|
||||
Note pour LyX 1.0 :
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
cases
|
||||
\family default
|
||||
est pour le moment désactivée car après simplification et amélioration
|
||||
des fonctions macros, les seuls paramètres valides sont les sous-paragraphes
|
||||
(sans tabulation ni nouvelle ligne).
|
||||
Peut-être qu'elle sera de nouveau incluse dans une version ultérieure.
|
||||
AAS
|
||||
\end_float
|
||||
.
|
||||
\the_end
|
||||
721
lib/examples/fr_MultiColonnes.lyx
Normal file
721
lib/examples/fr_MultiColonnes.lyx
Normal file
@ -0,0 +1,721 @@
|
||||
#LyX 1.1 created this file. For more info see http://www.lyx.org/
|
||||
\lyxformat 218
|
||||
\textclass article
|
||||
\begin_preamble
|
||||
\usepackage{multicol}
|
||||
\end_preamble
|
||||
\language frenchb
|
||||
\inputencoding latin1
|
||||
\fontscheme default
|
||||
\graphics default
|
||||
\paperfontsize default
|
||||
\spacing single
|
||||
\papersize a4paper
|
||||
\paperpackage a4
|
||||
\use_geometry 0
|
||||
\use_amsmath 0
|
||||
\paperorientation portrait
|
||||
\secnumdepth 3
|
||||
\tocdepth 3
|
||||
\paragraph_separation indent
|
||||
\defskip medskip
|
||||
\quotes_language french
|
||||
\quotes_times 2
|
||||
\papercolumns 1
|
||||
\papersides 1
|
||||
\paperpagestyle default
|
||||
|
||||
\layout Title
|
||||
|
||||
MultiColonnes
|
||||
\begin_inset Info
|
||||
Informations de révision :
|
||||
Traduction : Mise à jour Date: 2001/03/24
|
||||
Original : Révision: 1.2, Date: 2000/11/03
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Author
|
||||
|
||||
par
|
||||
\noun on
|
||||
Lars Gullik Bjønnes
|
||||
\begin_float footnote
|
||||
\layout Standard
|
||||
|
||||
Traduction par Adrien
|
||||
\noun on
|
||||
Rebollo
|
||||
\noun default
|
||||
|
||||
\family typewriter
|
||||
<Adrien.Rebollo@wanadoo.fr>
|
||||
\family default
|
||||
.
|
||||
\end_float
|
||||
\layout Section
|
||||
|
||||
Objectif
|
||||
\layout Standard
|
||||
|
||||
Le but de ce chapitre est de montrer comment utiliser le paquetage LaTeX
|
||||
|
||||
\family typewriter
|
||||
multicol
|
||||
\family default
|
||||
dans un document LyX.
|
||||
Comme LyX ne le supporte pas encore d'origine, il faut utiliser quelques
|
||||
trucs, qui devraient vous paraître clairs quand vous aurez lu cette section.
|
||||
\layout Subsection
|
||||
|
||||
Limitations
|
||||
\layout Standard
|
||||
|
||||
Le paquetage
|
||||
\family typewriter
|
||||
multicol
|
||||
\family default
|
||||
permet de basculer dans une même page entre le format sur une colonne et
|
||||
sur plusieurs.
|
||||
Les notes de bas de page sont gérées correctement (pour la plus grande
|
||||
part), mais seront placées en bas de la page et non en bas de chaque colonne.
|
||||
Le mécanisme de gestion des flottants de LaTeX, cependant, est partiellement
|
||||
désactivé dans l'implémentation actuelle.
|
||||
Aujourd'hui seuls des flottants couvrant en largeur toute la page peuvent
|
||||
être utilisés au sein de l'environnement.
|
||||
\layout Subsection
|
||||
|
||||
Exemples
|
||||
\layout Subsubsection
|
||||
|
||||
Deux Colonnes
|
||||
\layout Standard
|
||||
|
||||
Si vous voulez avoir deux colonnes dans votre texte, il faut pour insérer
|
||||
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
begin{multicols}{2}
|
||||
\family default
|
||||
en mode LaTeX à l'endroit où vous voulez démarrer la disposition en deux
|
||||
colonnes, et
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\family default
|
||||
là où vous voulez qu'elle se termine.
|
||||
Comme ceci :
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
begin{multicols}{2}
|
||||
\layout Standard
|
||||
\noindent
|
||||
|
||||
\series bold
|
||||
\size small
|
||||
The Adventure of the Empty House
|
||||
\begin_float footnote
|
||||
\layout Standard
|
||||
|
||||
NdT : Ne pensant pas être à la hauteur d'une traduction littéraire de
|
||||
\noun on
|
||||
Conan Doyle
|
||||
\noun default
|
||||
, et ne voyant pas de nécessité impérieuse d'insérer du texte français à
|
||||
la place, j'ai préféré le laisser tel quel.
|
||||
-- ar
|
||||
\end_float
|
||||
|
||||
\size small
|
||||
|
||||
\newline
|
||||
by
|
||||
\noun on
|
||||
Sir Arthur Conan Doyle
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
It was in the spring of the year 1894 that all London was interested, and
|
||||
the fashionable world dismayed, by the murder of the Honourable Ronald
|
||||
Adair under most unusual and inexplicable circumstances.
|
||||
The public has already learned those particulars of the crime which came
|
||||
out in the police investigation, but a good deal was suppressed upon that
|
||||
occasion, since the case for the prosecution was so overwhelmingly strong
|
||||
that it was not necessary to bring forward all the facts.
|
||||
Only now, at the end of nearly ten years, am I allowed to supply those
|
||||
missing links which make up the whole of that remarkable chain.
|
||||
The crime was of interest in itself, but that interest was as nothing to
|
||||
me compared to the inconceivable sequel, which afforded me the greatest
|
||||
shock and surprise of any event in my adventurous life.
|
||||
Even now, after this long interval, I find myself thrilling as I think
|
||||
of it, and feeling once more that sudden flood of joy, amazement, and increduli
|
||||
ty which utterly submerged my mind.
|
||||
Let me say to that public, which has shown some interest in those glimpses
|
||||
which I have occasionally given them of the thoughts and actions of a very
|
||||
remarkable man, that they are not to blame me if I have not shared my knowledge
|
||||
with them, for I should have considered it my first duty to do so, had
|
||||
I not been barred by a positive prohibition from his own lips, which was
|
||||
only withdrawn upon the third of last month.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Subsubsection
|
||||
|
||||
Colonnes Multiples
|
||||
\layout Standard
|
||||
|
||||
Le même schéma s'applique si vous voulez plus de deux colonnes.
|
||||
(Vous pouvez avoir plus de 3 colonnes si vous voulez, mais ça risque de
|
||||
ne pas être très agréable à regarder.)
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
begin{multicols}{3}
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size footnotesize
|
||||
It can be imagined that my close intimacy with Sherlock Holmes had interested
|
||||
me deeply in crime, and that after his disappearance I never failed to
|
||||
read with care the various problems which came before the public.
|
||||
And I even attempted, more than once, for my own private satisfaction,
|
||||
to employ his methods in their solution, though with indifferent success.
|
||||
There was none, however, which appealed to me like this tragedy of Ronald
|
||||
Adair.
|
||||
As I read the evidence at the inquest, which led up to a verdict of willful
|
||||
murder against some person or persons unknown, I realized more clearly
|
||||
than I had ever done the loss which the community had sustained by the
|
||||
death of Sherlock Holmes.
|
||||
There were points about this strange business which would, I was sure,
|
||||
have specially appealed to him, and the efforts of the police would have
|
||||
been supplemented, or more probably anticipated, by the trained observation
|
||||
and the alert mind of the first criminal agent in Europe.
|
||||
All day, as I drove upon my round, I turned over the case in my mind and
|
||||
found no explanation which appeared to me to be adequate.
|
||||
At the risk of telling a twice-told tale, I will recapitulate the facts
|
||||
as they were known to the public at the conclusion of the inquest.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Subsubsection
|
||||
|
||||
Des colonnes dans une Colonne
|
||||
\layout Standard
|
||||
|
||||
Vous pouvez même avoir des colonnes dans une colonne :
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
begin{multicols}{2}
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size footnotesize
|
||||
The Honourable Ronald Adair was the second son of the Earl of Maynooth,
|
||||
at that time governor of one of the Australian colonies.
|
||||
Adair's mother had returned from Australia to undergo the operation for
|
||||
cataract, and she, her son Ronald, and her daughter Hilda were living together
|
||||
at 427 Park Lane.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
begin{multicols}{2}
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size footnotesize
|
||||
The youth moved in the best society--had, so far as was known, no enemies
|
||||
and no particular vices.
|
||||
He had been engaged to Miss Edith Woodley, of Carstairs, but the engagement
|
||||
had been broken off by mutual consent some months before, and there was
|
||||
no sign that it had left any very profound feeling behind it.
|
||||
For the rest {sic} the man's life moved in a narrow and conventional circle,
|
||||
for his habits were quiet and his nature unemotional.
|
||||
Yet it was upon this easy-going young aristocrat that death came, in most
|
||||
strange and unexpected form, between the hours of ten and eleven-twenty
|
||||
on the night of March 30, 1894.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size footnotesize
|
||||
Ronald Adair was fond of cards--playing continually, but never for such
|
||||
stakes as would hurt him.
|
||||
He was a member of the Baldwin, the Cavendish, and the Bagatelle card clubs.
|
||||
It was shown that, after dinner on the day of his death, he had played
|
||||
a rubber of whist at the latter club.
|
||||
He had also played there in the afternoon.
|
||||
|
||||
\size default
|
||||
|
||||
\size footnotesize
|
||||
The evidence of those who had played with him-- Mr.
|
||||
Murray, Sir John Hardy, and Colonel Moran--showed that the game was whist,
|
||||
and that there was a fairly equal fall of the cards.
|
||||
Adair might have lost five pounds, but not more.
|
||||
His fortune was a considerable one, and such a loss could not in any way
|
||||
affect him.
|
||||
He had played nearly every day at one club or other, but he was a cautious
|
||||
player, and usually rose a winner.
|
||||
It came out in evidence that, in partnership with Colonel Moran, he had
|
||||
actually won as much as four hundred and twenty pounds in a sitting, some
|
||||
weeks before, from Godfrey Milner and Lord Balmoral.
|
||||
So much for his recent history as it came out at the inquest.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Subsection
|
||||
|
||||
Exemples complexes
|
||||
\layout Standard
|
||||
|
||||
Comme vous le savez sans doute
|
||||
\family typewriter
|
||||
multicol
|
||||
\family default
|
||||
a plusieurs variables de personnalisation.
|
||||
Les exemples suivants montrent comment elles peuvent être utilisées depuis
|
||||
LyX.
|
||||
\layout Subsubsection
|
||||
|
||||
Préface et Saut de page
|
||||
\layout Standard
|
||||
|
||||
S'il reste moins de 5\SpecialChar ~
|
||||
cm sur la page, un saut de page sera inséré avant ce
|
||||
morceau, avec un texte de préface au-dessus des deux colonnes :
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
begin{multicols}{2}[Et l'histoire continue et continue et continue et continue...][
|
||||
5cm]
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
On the evening of the crime, he returned from the club exactly at ten.
|
||||
His mother and sister were out spending the evening with a relation.
|
||||
The servant deposed that she heard him enter the front room on the second
|
||||
floor, generally used as his sitting-room.
|
||||
She had lit a fire there, and as it smoked she had opened the window.
|
||||
No sound was heard from the room until eleven-twenty, the hour of the return
|
||||
of Lady Maynooth and her daughter.
|
||||
Desiring to say good-night, she attempted to enter her son's room.
|
||||
The door was locked on the inside, and no answer could be got to their
|
||||
cries and knocking.
|
||||
Help was obtained, and the door forced.
|
||||
The unfortunate young man was found lying near the table.
|
||||
His head had been horribly mutilated by an expanding revolver bullet, but
|
||||
no weapon of any sort was to be found in the room.
|
||||
On the table lay two bank notes for ten pounds each and seventeen pounds
|
||||
ten in silver and gold, the money arranged in little piles of varying amount.
|
||||
There were some figures also upon a sheet of paper, with the names of some
|
||||
club friends opposite to them, from which it was conjectured that before
|
||||
his death he was endeavouring to make out his losses or winnings at cards.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Subsubsection
|
||||
|
||||
Préface et Sections
|
||||
\layout Standard
|
||||
|
||||
Comment faire si vous voulez que la préface soit un en-tête de section ?
|
||||
Vous pouvez le faire, mais seulement par l'intermédiaire de commandes LaTeX
|
||||
à l'intérieur des paramètres de la commande
|
||||
\family typewriter
|
||||
multicols
|
||||
\family default
|
||||
.
|
||||
Pour cette raison, la commande ne peut pas être fournie par LyX :
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
begin{multicols}{2}[
|
||||
\backslash
|
||||
subsubsection{C'est la commande de section en préface}][5cm]
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
A minute examination of the circumstances served only to make the case more
|
||||
complex.
|
||||
In the first place, no reason could be given why the young man should have
|
||||
fastened the door upon the inside.
|
||||
There was the possibility that the murderer had done this, and had afterwards
|
||||
escaped by the window.
|
||||
The drop was at least twenty feet, however, and a bed of crocuses in full
|
||||
bloom lay beneath.
|
||||
Neither the flowers nor the earth showed any sign of having been disturbed,
|
||||
nor were there any marks upon the narrow strip of grass which separated
|
||||
the house from the road.
|
||||
Apparently, therefore, it was the young man himself who had fastened the
|
||||
door.
|
||||
But how did he come by his death? No one could have climbed up to the window
|
||||
without leaving traces.
|
||||
Suppose a man had fired through the window, he would indeed be a remarkable
|
||||
shot who could with a revolver inflict so deadly a wound.
|
||||
Again, Park Lane is a frequented thoroughfare; there is a cab stand within
|
||||
a hundred yards of the house.
|
||||
No one had heard a shot.
|
||||
And yet there was the dead man and there the revolver bullet, which had
|
||||
mushroomed out, as soft-nosed bullets will, and so inflicted a wound which
|
||||
must have caused instantaneous death.
|
||||
Such were the circumstances of the Park Lane Mystery, which were further
|
||||
complicated by entire absence of motive, since, as I have said, young Adair
|
||||
was not known to have any enemy, and no attempt had been made to remove
|
||||
the money or valuables in the room.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Subsubsection
|
||||
|
||||
Espace Libre
|
||||
\layout Standard
|
||||
|
||||
Le paquetage
|
||||
\family typewriter
|
||||
multicol
|
||||
\family default
|
||||
nécessite une certaine quantité d'espace libre disponible avant et après
|
||||
chaque section en multi-colonnes.
|
||||
En plus
|
||||
\family typewriter
|
||||
multicol
|
||||
\family default
|
||||
insère de l'espace avant et après la section multi-colonnes.
|
||||
Pour changer ce comportement par défaut il faut insérer des commandes juste
|
||||
avant le
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
begin{multicols}
|
||||
\family default
|
||||
.
|
||||
Dans cet exemple, on place 3\SpecialChar ~
|
||||
cm d'espace avant et après le texte en multi-colonn
|
||||
es :
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
setlength{
|
||||
\backslash
|
||||
multicolsep}{3cm}
|
||||
\backslash
|
||||
begin{multicols}{2}
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
All day I turned these facts over in my mind, endeavouring to hit upon some
|
||||
theory which could reconcile them all, and to find that line of least resistanc
|
||||
e which my poor friend had declared to be the starting-point of every investigat
|
||||
ion.
|
||||
I confess that I made little progress.
|
||||
In the evening I strolled across the Park, and found myself about six o'clock
|
||||
at the Oxford Street end of Park Lane.
|
||||
A group of loafers upon the pavements, all staring up at a particular window,
|
||||
directed me to the house which I had come to see.
|
||||
A tall, thin man with coloured glasses, whom I strongly suspected of being
|
||||
a plain-clothes detective, was pointing out some theory of his own, while
|
||||
the others crowded round to listen to what he said.
|
||||
I got as near him as I could, but his observations seemed to me to be absurd,
|
||||
so I withdrew again in some disgust.
|
||||
As I did so I struck against an elderly, deformed man, who had been behind
|
||||
me, and I knocked down several books which he was carrying.
|
||||
I remember that as I picked them up, I observed the title of one of them,
|
||||
THE ORIGIN OF TREE WORSHIP, and it struck me that the fellow must be some
|
||||
poor bibliophile, who, either as a trade or as a hobby, was a collector
|
||||
of obscure volumes.
|
||||
I endeavoured to apologize for the accident, but it was evident that these
|
||||
books which I had so unfortunately maltreated were very precious objects
|
||||
in the eyes of their owner.
|
||||
With a snarl of contempt he turned upon his heel, and I saw his curved
|
||||
back and white side-whiskers disappear among the throng.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Paragraph
|
||||
|
||||
Remarque :
|
||||
\layout Standard
|
||||
|
||||
Les valeurs que vous fixez avec
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
setlength
|
||||
\family default
|
||||
doivent être réinitialisées, sinon vous garderez les valeurs modifiées
|
||||
tout au long de votre document.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
setlength{
|
||||
\backslash
|
||||
multicolsep}{13pt}
|
||||
\layout Subsubsection
|
||||
|
||||
Largeur de Colonne et Séparation
|
||||
\layout Standard
|
||||
|
||||
La largeur des colonnes dans un environnement
|
||||
\family sans
|
||||
multicols
|
||||
\family default
|
||||
est calculée automatiquement, mais vous pouvez modifier explicitement l'espace
|
||||
entre deux colonnes.
|
||||
Dans l'exemple suivant, l'espace entre les deux colonnes est de 3\SpecialChar ~
|
||||
cm :
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
setlength{
|
||||
\backslash
|
||||
columnsep}{3cm}
|
||||
\backslash
|
||||
begin{multicols}{2}
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
My observations of No.
|
||||
427 Park Lane did little to clear up the problem in which I was interested.
|
||||
The house was separated from the street by a low wall and railing, the
|
||||
whole not more than five feet high.
|
||||
It was perfectly easy, therefore, for anyone to get into the garden, but
|
||||
the window was entirely inaccessible, since there was no water pipe or
|
||||
anything which could help the most active man to climb it.
|
||||
More puzzled than ever, I retraced my steps to Kensington.
|
||||
I had not been in my study five minutes when the maid entered to say that
|
||||
a person desired to see me.
|
||||
To my astonishment it was none other than my strange old book collector,
|
||||
his sharp, wizened face peering out from a frame of white hair, and his
|
||||
precious volumes, a dozen of them at least, wedged under his right arm.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Standard
|
||||
|
||||
Une fois de plus, il faut réinitialiser la valeur pour éviter de l'utiliser
|
||||
dans le reste du document.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
setlength{
|
||||
\backslash
|
||||
columnsep}{10pt}
|
||||
\layout Subsubsection
|
||||
|
||||
Lignes Verticales
|
||||
\layout Standard
|
||||
|
||||
Entre deux colonnes, il y a un trait de largeur
|
||||
\family typewriter
|
||||
|
||||
\backslash
|
||||
columnseprule
|
||||
\family default
|
||||
.
|
||||
Si cette largeur est fixée à 0\SpecialChar ~
|
||||
pt, le trait est supprimé.
|
||||
Dans l'exemple suivant, la ligne séparant les deux colonnes fait 2\SpecialChar ~
|
||||
pt d'épaisseu
|
||||
r.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
setlength{
|
||||
\backslash
|
||||
columnseprule}{2pt}
|
||||
\backslash
|
||||
begin{multicols}{2}
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
|
||||
\begin_inset Quotes eld
|
||||
\end_inset
|
||||
|
||||
You're surprised to see me, sir,
|
||||
\begin_inset Quotes erd
|
||||
\end_inset
|
||||
|
||||
said he, in a strange, croaking voice.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
I acknowledged that I was.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
|
||||
\begin_inset Quotes eld
|
||||
\end_inset
|
||||
|
||||
Well, I've a conscience, sir, and when I chanced to see you go into this
|
||||
house, as I came hobbling after you, I thought to myself, I'll just step
|
||||
in and see that kind gentleman, and tell him that if I was a bit gruff
|
||||
in my manner there was not any harm meant, and that I am much obliged to
|
||||
him for picking up my books.
|
||||
\begin_inset Quotes erd
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
|
||||
\begin_inset Quotes eld
|
||||
\end_inset
|
||||
|
||||
You make too much of a trifle,
|
||||
\begin_inset Quotes erd
|
||||
\end_inset
|
||||
|
||||
said I.
|
||||
|
||||
\begin_inset Quotes eld
|
||||
\end_inset
|
||||
|
||||
May I ask how you knew who I was?
|
||||
\begin_inset Quotes erd
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Standard
|
||||
|
||||
|
||||
\size small
|
||||
|
||||
\begin_inset Quotes eld
|
||||
\end_inset
|
||||
|
||||
Well, sir, if it isn't too great a liberty, I am a neighbour of yours, for
|
||||
you'll find my little bookshop at the corner of Church Street, and very
|
||||
happy to see you, I am sure.
|
||||
Maybe you collect yourself, sir.
|
||||
Here's
|
||||
\noun on
|
||||
British\SpecialChar ~
|
||||
Birds
|
||||
\noun default
|
||||
, and
|
||||
\noun on
|
||||
Catullus
|
||||
\noun default
|
||||
, and
|
||||
\noun on
|
||||
The Holy War
|
||||
\noun default
|
||||
--a bargain, every one of them.
|
||||
With five volumes you could just fill that gap on that second shelf.
|
||||
It looks untidy, does it not, sir?
|
||||
\begin_inset Quotes erd
|
||||
\end_inset
|
||||
|
||||
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
end{multicols}
|
||||
\layout Standard
|
||||
|
||||
Comme d'habitude, on réinitialise la valeur après usage.
|
||||
\layout Standard
|
||||
|
||||
|
||||
\latex latex
|
||||
|
||||
\backslash
|
||||
setlength{
|
||||
\backslash
|
||||
columnseprule}{0pt}
|
||||
\layout Standard
|
||||
|
||||
Pour lire le reste de l'histoire, il faudra que vous alliez à la bibliothèque...
|
||||
\begin_float footnote
|
||||
\layout Standard
|
||||
|
||||
...ou trichez comme nous et allez la trouver dans le projet Gutenberg quelque
|
||||
part sur le réseau.
|
||||
\end_float
|
||||
\the_end
|
||||
Loading…
Reference in New Issue
Block a user